Moments of Vision and Miscellaneous VersesHardy, Thomas
General
Moments of Vision and Miscellaneous Verses
Hardy, Thomas
English poetry; World War, 1914-1918 -- Poetry
For natural mindsight, triumphing in the act
Over the throes of artificial rage,
Has thuswise muffled victory’s peal of pride,
Rended to ribands policy’s specious page
That deals but with evasion, code, and pact,
And war’s apology wholly stultified.
1915.
THEN AND NOW
WHEN battles were fought
With a chivalrous sense of Should and Ought,
In spirit men said,
“End we quick or dead,
Honour is some reward!
Let us fight fair—for our own best or worst;
So, Gentlemen of the Guard,
Fire first!”
In the open they stood,
Man to man in his knightlihood:
They would not deign
To profit by a stain
On the honourable rules,
Knowing that practise perfidy no man durst
Who in the heroic schools
Was nurst.
But now, behold, what
Is warfare wherein honour is not!
Rama laments
Its dead innocents:
Herod breathes: “Sly slaughter
Shall rule! Let us, by modes once called accurst,
Overhead, under water,
Stab first.”
1915.
A CALL TO NATIONAL SERVICE
UP and be doing, all who have a hand
To lift, a back to bend. It must not be
In times like these that vaguely linger we
To air our vaunts and hopes; and leave our land
Untended as a wild of weeds and sand.
—Say, then, “I come!” and go, O women and men
Of palace, ploughshare, easel, counter, pen;
That scareless, scathless, England still may stand.
Would years but let me stir as once I stirred
At many a dawn to take the forward track,
And with a stride plunged on to enterprize,
I now would speed like yester wind that whirred
Through yielding pines; and serve with never a slack,
So loud for promptness all around outcries!
_March_ 1917.
THE DEAD AND THE LIVING ONE
THE dead woman lay in her first night’s grave,
And twilight fell from the clouds’ concave,
And those she had asked to forgive forgave.
The woman passing came to a pause
By the heaped white shapes of wreath and cross,
And looked upon where the other was.
And as she mused there thus spoke she:
“Never your countenance did I see,
But you’ve been a good good friend to me!”
Rose a plaintive voice from the sod below:
“O woman whose accents I do not know,
What is it that makes you approve me so?”
“O dead one, ere my soldier went,
I heard him saying, with warm intent,
To his friend, when won by your blandishment:
“‘I would change for that lass here and now!
And if I return I may break my vow
To my present Love, and contrive somehow
“‘To call my own this new-found pearl,
Whose eyes have the light, whose lips the curl,
I always have looked for in a girl!’
“—And this is why that by ceasing to be—
Though never your countenance did I see—
You prove you a good good friend to me;
Public-domain text, read in full here on John Shaqi.
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