Jim was only human—this attraction was too much for him. He put down his
pail, took the white alley, and bent over the toe with absorbing
interest while the bandage was being unwound. In another moment he was
flying down the street with his pail and a tingling rear, Tom was
whitewashing with vigor, and Aunt Polly was retiring from the field with
a slipper in her hand and triumph in her eye.
But Tom’s energy did not last. He began to think of the fun he had
planned for this day, and his sorrows multiplied. Soon the free boys
would come tripping along on all sorts of delicious expeditions, and
they would make a world of fun of him for having to work—the very
thought of it burnt him like fire. He got out his worldly wealth and
examined it—bits of toys, marbles, and trash; enough to buy an exchange
of _work_, maybe, but not half enough to buy so much as half an hour of
pure freedom. So he returned his straitened means to his pocket, and
gave up the idea of trying to buy the boys. At this dark and hopeless
moment an inspiration burst upon him! Nothing less than a great,
magnificent inspiration.
He took up his brush and went tranquilly to work. Ben Rogers hove in
sight presently—the very boy, of all boys, whose ridicule he had been
dreading. Ben’s gait was the hop-skip-and-jump—proof enough that his
heart was light and his anticipations high. He was eating an apple, and
giving a long, melodious whoop, at intervals, followed by a deep-toned
ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As
he drew near, he slackened speed, took the middle of the street, leaned
far over to starboard and rounded to, ponderously and with laborious
pomp and circumstance—for he was personating the “Big Missouri,” and
considered himself to be drawing nine feet of water. He was the boat and
captain and engine-bells combined, so he had to imagine himself standing
on his own hurricane deck; giving the orders and executing them: “Stop
her, sir! Ting-a-ling-ling!” The headway ran almost out and he drew up
slowly toward the sidewalk.
“Ship up to back! Ting-a-ling-ling!” His arms straightened and stiffened
down his sides.
“Set her back on the starboard! Ting-a-ling-ling! Chow! ch-chow-wow!
Chow!” His right hand, meantime, describing stately circles—for it was
representing a forty-foot wheel.
“Let her go back on the labboard! Ting-a-ling-ling! Chow-ch-chow chow!”
The left hand began to describe circles.
“Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead on
the stabboard! Stop her! Let your outside turn over slow!
Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! _Lively_ now!
Come—out with your spring-line—what’re you about there! Take a turn
round that stump with the bight of it! Stand by that stage, now—let her
go! Done with the engines, sir! Ting-a-ling-ling! _Sh’t! sh’t! sh’t!”_
(trying the gauge-cocks).
Tom went on whitewashing—paid no attention to the steamboat. Ben stared
a moment and then said:
Public-domain text, read in full here on John Shaqi.
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