Monica: A Novel, Volume 3 (of 3)Everett-Green, Evelyn
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Monica: A Novel, Volume 3 (of 3)
Everett-Green, Evelyn
Forgiveness -- Fiction; Love stories; Marriage -- Fiction
Monica had been too busy for thoughts of self to intrude often upon
her during these past days. She wished to be busy; she tried to occupy
herself from morning to night, for she found that the aching hunger of
her heart was more eased by loving deeds of mercy and kindness than
in any other way—self more fully lost in ceaseless care for others.
But when all was done, every single thing disposed of, nothing more
left to think of or to accomplish; then the inevitable reaction set in,
and with a heart aching to pain, almost to despair, Monica entered the
music-room, and sat down to her organ.
She played with a sort of passionate appeal that was infinitely
pathetic, had any one been there to hear; she threw all the yearning
sadness of her soul into her organ, and it seemed to answer her back
with a promise of strong sympathy and consolation. Insensibly she was
soothed by the sweet sounds she evoked. She fell into a dreamy mood,
playing softly in a minor key, so softly that through the door that
stood ajar, she became aware of a slight subdued tumult in the hall
without, to which she gave but a dreamy attention at first.
The bell had pealed sharply, steps had crossed the hall, the door had
been opened, and then had followed the tumultuous sounds expressive of
astonishment that roused Monica from her dreamy reverie. She supposed
the party from St. Maws had arrived somewhat before the expected time,
and rose, and had made a few steps forward when she suddenly stopped
short and stood motionless—spell-bound—what was it she had heard?—only
the sound of a voice—a man’s voice.
“Where is your mistress?”
The words were uttered in a clear, deep, ringing tone, that seemed to
her to waken every echo in the castle into wild surging life. The very
air throbbed and palpitated around her—her temples seemed as if they
would burst. What was the meaning of that sound—that wild tumult of
voices? Why did she stand as if carved in stone, growing white to the
very lips, whilst thrill upon thrill ran through her frame, and her
heart beat to suffocation? What did it all portend? Whose was the voice
she had just heard—that voice from the dead? _Who_ was it that stood in
the hall without?
The door was flung open. A tall, dark figure stood in the dim light.
“Monica!”
Monica neither spoke nor moved. The cry of awe and of rapture that rose
from her heart could not find voice in which to utter itself—but what
matter? She was in her husband’s arms. Her head lay upon his breast.
His lips were pressed to her cold face in the kisses she had never
thought to feel again. Randolph had come back. She could not speak. She
had no will to try and frame a single word. He held her in his arms; he
strained her ever closer and closer. She felt the tumultuous beating of
his heart as she lay in his arms, powerless to move or think. She heard
his murmured words, broken and hoarse with the passionate feeling of
that supreme moment.
“My wife! Monica! My wife!”
Public-domain text, read in full here on John Shaqi.
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