Morland, who was at home for Christmas, gave two piano solos, and though
his beautiful artistic playing was much above the heads of most of the
audience, there were some who were musical enough to enjoy it. Everybody
appreciated Claudia's songs. Her voice was of a rare quality, and even
the rough lads at the back of the room stopped 'ragging' and listened in
silence. It was very highly trained singing, but held that divine throb
of passion which uses art as the instrument of nature, and united the
correctness of a musician with the spontaneous carolling of a bird. With
youth and so pretty a face added to her talent it was no wonder that
Claudia had an ovation.
"I'm not supposed to sing anywhere in public till I've finished with the
college," she announced behind the scenes. "Signor Arezzo would be simply
furious if he knew. He's a terrible Turk about it. I don't see how he's
going to get to hear about it though! I shan't tell him myself, you may
be sure."
Fay, who had considerable skill at elocution, gave a most amusing
recitation, to which Morland played a very soft and subdued accompaniment
on the piano, and for the encore that followed she repeated some quaint
poems of American child-life, which were such a success that the Vicar
mentally voted her a discovery, and decided to ask her to help the
programme on future occasions.
It was now the turn of our party from Durracombe, who were trying to keep
up one another's spirits behind the scenes. The audience, owing to long
sitting still, was growing a little obstreperous. The chairman had to
keep constantly ringing a bell and reminding people to be quiet. The
noise at the back waxed so violent that his voice could hardly be heard,
and the occupants of the front seats had to turn round and shout,
'Order!' 'You'll be turned out!' before the delinquents preserved a
decent hush. The little piece evolved by Mavis and Merle was entitled:
_A Rich Relation._
The first scene disclosed Mrs. Hardup, a widow lady, lamenting her lack
of means, and regretting that her son, Augustus, should have engaged
himself to Isabella, a charming but utterly impecunious damsel. She
cheered up, however, when the young people came in bearing a letter; for
it was from Uncle Cashbags, their rich relation, announcing that he was
coming that very day to have lunch with them. Mavis, as the diplomatic
widow, with grey hair and tortoise-shell-rimmed spectacles, looked at
least fifty, and preserved her disguise admirably. As for Merle, not a
soul in the audience would have recognised her as Augustus. She wore
Clive's Eton suit and overcoat, had a brown wig and a moustache, and
affected a deep-toned fashionable drawl. Clive, arrayed in some of Mrs.
Ramsay's garments, with a hat and veil and a fur, looked a thorough
member of the smart set and acted the most modern of modern damsels. He
entered, affectionately leaning on the arm of Augustus, and almost
embarrassed that youth by his attentions.
Public-domain text, read in full here on John Shaqi.
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