"Monsieur Henri": A Foot-Note to French HistoryGuiney, Louise Imogen
History
"Monsieur Henri": A Foot-Note to French History
Guiney, Louise Imogen
France -- History -- Wars of the Vendée, 1793-1832; La Rochejaquelein, Henri du Vergier, comte de, 1772-1794
Among Henri de La Rochejacquelein’s peers there were those who would
have been men of weight and of mark in any career. But perhaps he, more
sensitive and solitary, had no such adaptabilities to bear him out. He
was not twenty-two when the dark curtain was rung down upon him. To
regret it, is to show small appreciation of the masterly consistency
which Fate sometimes allows herself. No spectator of the little drama
enacted within the Revolution can forget how dominant, distinct,
unrepeated, this artful image of Henri burns itself in upon the memory.
To wish him age and a competency were superstition. Mark how, even in
her hasty finishing touches, Nature did not bungle with him. She rounds
out her white ideal. She leaves us convinced that living a span, and
dying in the hurly-burly, he best fulfilled himself. He is placed in an
allotted light perfectly kind to him, perfectly soft and clear to the
looker-on.
Virtually, what did he amount to? What testimony of him is left? To
the man of facts, who asks the questions, the answers are: Nothing and
None. There is a laconic apology in the _Spanish Gypsy_:
“The greatest gift the hero leaves his race
Is to have been a hero.”
Such a one makes a jest of values; he has the freedom of every city;
he need pay no taxes; he cripples criticism; he can do without a
character; theology itself will not exact faith and good works from
him. This Henri lived with his whole soul. His interest to us now
is that he blazed with genuine fire, and played no tricks with his
individuality. Among the serious war-worn leaders of the insurrection
he stands, a fairy prince, with a bright absurd glamour. Never was
anybody more like the fiction of an artist’s brain. He is all that
children look for in a tale, and he has no moral. He is the embodiment
of “_l’inexplicable Vendée_.”
He was made to despatch this world, like an errand or a game. He had
no sovereign interests here of his own; rather was he his brother’s
keeper. A sort of rich unreason shot him past the work, the musing,
the sight-seeing for self, and the pleasant banquets over which men
linger. Careless for the making of a name, for the gain of experience,
even for the duty of prolonging his usefulness, he chose the first
course which he believed honorable, and to which he could give his
heart; and so stumbled on death. The war had a thousand sanctions in
his eyes. His enlisting was honest and humble. If he flashed into
the most unexampled comet-like activity before he had been long
apprenticed, it was merely that he warmed with the motion, that he
felt sure at last of himself, and so blazoned abroad his content and
comprehension of life. He is less flesh and blood than a magnificent
quibble for all the philosophies of the cold schools. He represents, in
the economy of things, the waste which is thrift, the daring which is
prudence, the folly which is wisdom ineffable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account