Monumental JavaScheltema, J. F. (Johann Friedrich )
History
Monumental Java
Scheltema, J. F. (Johann Friedrich )
Indonesia -- Antiquities; Java (Indonesia) -- Antiquities; Monuments -- Indonesia -- Java
a weird sound was heard of invisible hands busy laying foundations,
erecting walls and sculpturing statuary. By half past three o’clock the
six wells were dug, the six buildings completed and nine hundred and
ninety-nine statues standing in their places. But Mboq Loro Jonggrang,
roused from her slumbers by the hammering and chiselling, and suspecting
what was going on, ordered her handmaidens out to stamp the _padi_[41]
and to strew the ground, where the noise was loudest, with flowers and
to sprinkle perfume. The spirits of the lower regions cannot bear the
odour of flowers and perfumes, as everybody knows; so they had to desist
and deserted their almost finished work in precipitate flight, to the
consternation of Bondowoso, who pronounced this curse: Since the girls
of Prambanan take pleasure in fooling a faithful suitor, may the gods
grant that they shall have to wait long before they become brides![42]
Having said this, yet hoping against hope, he called on his lady, who
asked tauntingly whether the honour of his visit meant the announcement
that the task imposed upon him by way of testing his love, had been
completed. This filled the measure and he answered: No, it is not and
you shall complete it yourself. The threat was immediately realised:
Loro Jonggrang changed into a statue of stone, the thousandth, which
terminated the labour of the spirits and is still to be seen in a niche
on the north side of the principal edifice.
The reader will recognise in this legend the hoary eastern material of
many others current also in western lands. It pervades the legendary
lore connected with the plain of Prambanan in widest sense, and one of
its many variations, to be recorded farther on, applies specially to the
Buddhist _chandi_ Sewu or “thousand temples”, only a little distance
from the Loro Jonggrang group;[43] in fact, originally adapted to
account for the many ruins scattered over a vast area in that region,
it has taken separate forms to meet the requirements of separate
localities. Apart from tradition, we owe the oldest extant description
of the Prambanan antiquities to the East India Company’s servant Lons at
Samarang, who wrote in 1733. The Governor-General van Imhoff referred to
them in 1746 and Raffles, his successor during the British Interregnum,
not satisfied with writing and talking alone, commissioned Cornelius
with Wardenaar to survey them and make plans for reconstruction. After
1816 things returned to the accustomed neglect: A short stay in the
plain of Prambanan, says an authority already quoted,[44] is sufficient
to note that thousands of valuable hewn and sculptured stones have been
and still are used for all sorts of purposes ...; from time immemorial,
great quantities of stone have been (and still are) taken from
Prambanan by his Highness the Sooltan of Jogjakarta, generally once or
twice a year ...; this happens, if I am well informed, in compliance
with a written demand, fiated by the local authorities. The foundation,
Public-domain text, read in full here on John Shaqi.
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