Monumental JavaScheltema, J. F. (Johann Friedrich )
History
Monumental Java
Scheltema, J. F. (Johann Friedrich )
Indonesia -- Antiquities; Java (Indonesia) -- Antiquities; Monuments -- Indonesia -- Java
(not only, it should be noticed, in that neighbourhood, but likewise
where no one ever heard of Loro Jonggrang and her _escapades d’amour_),
insisting that, in the name of the precedent she set, consequences shall
be warded off. When _pasar_, _i.e._ market, falls on a Friday,[48] her
votaries are exceptionally numerous, mostly native women entreating
deliverance from female ills or help in the attainment of feminine
wishes. Chinese, half-caste and occasionally European ladies may,
however, be observed among them: it is said that several happy mothers
of the ruling race at Jogjakarta and Surakarta owe their husbands
and children to Notre Dame de Bon Secours of Prambanan; that brides
having obtained their heart’s desire in union with the beloved, the
bridegrooms in their turn repair to her shrine, after a honeymoon ended
in storm-clouds, with an earnest supplication for means of release. This
explains the sprinkling of males among the fair devotees on Fridays,
dejected looking persons who smear the statue of Doorga with _boreh_,
despite notices to desist, supplicating her to repeal former decrees,
having different objects in view, of course, with their salvings of
Ganesa and Siva’s _nandi_. Favours are requested, pledges are given,
votive sacrifices are performed, the gods and their attributes, Mboq
Loro Jonggrang in the first place, are wreathed and festooned with
flowers in compliance with an old Hindu custom so deeply rooted that
we may notice grave, turbaned _hajis_ yielding to it, unheedful of
the Prophet’s anathemas against those who commit the unpardonable sin
of idolatry, straying more widely from the right path than the brute
cattle, wicked doers, companions of hell-fire whose everlasting couch
shall be on burning coals.
[Illustration: XI. PRAMBANAN RELIEFS
(Centrum.)]
Public-domain text, read in full here on John Shaqi.
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