Monumental JavaScheltema, J. F. (Johann Friedrich )
History
Monumental Java
Scheltema, J. F. (Johann Friedrich )
Indonesia -- Antiquities; Java (Indonesia) -- Antiquities; Monuments -- Indonesia -- Java
Behind him the Devi, his
spouse, emerges from her niche, riding Vayu, the stormwind, not Doorga
or Uma disguised as Loro Jonggrang, but Kali, the furious, of hideous
countenance, crowned with snakes, dripping with blood. Lifting up her
voice above the roaring of her steed, she joins the Dread One, Rudra,
the Thunderer, and passion and baffled desire become a portion of the
tempest she raises, the odour of the _kembangan telon_ breathing agony.
Mahakala, the Almighty Overthrower, deals death under his veil. But if
the night of terror begins in darkness, it will end in dawn and light
of day: all that lives, is born to die for new life to succeed, and so
teaches Siva himself, the Bhatara Guru. In adoration of Ganesa, the
fruit of his union with Parvati, wisdom will accrue to him who learns
the lesson; enlightenment from the spectacle of time, the demolisher,
fortifying fecund nature, reanimating the universe in anguish of decay.
Wisdom is the great gift, purification of the soul in abstinence from
the pleasures which drag it down, to keep the spark of the divine
undefiled in its earthly sheath with the aid of the father and the
son, whose distinctive qualities merge in Wighnesa, the vanquisher of
obstacles. Drinking their essence, man’s hearing and knowing leads to
affection and commiseration, to the second Brahma Vihara, the sublime
condition of sorrow at the sorrow of others, and when dissolution
arrives as a reward, Yama, the judge of the dead, will find no cause
for reproach. The good will enter the diamond gate, but grievous
torment awaits the foolish who pamper the flesh and are ensnared by the
daughters of lust.
[Illustration]
FOOTNOTES:
[35] Whence its name, derived from _api_ (fire).
[36] The title Loro designates a lady of very high birth.
[37] _Legèn_ is the liquor prepared by fermentation of the sap drawn
from some trees of the palm family.
[38] From _tangkis_, _tinangkis_, which, derived from _nangkis_, “ward
off”, means “to repel one another.”
[39] _Telaga_ means “lake” and _powiniyan_, derived from _winih_,
“seed”, means a flooded ricefield in which the ears on the stalks, bound
in sheaves, are put to serve for seeding.
[40] Not the last, as this legend has it, for Ratu Boko’s roaring can
yet be heard on still nights, if we may believe the people who dwell on
the banks of the Telaga Powiniyan.
[41] _Padi_ is rice in the hull, shelled by the women and girls, usually
very early in the morning, by stamping it in blocks of wood hollowed out
for the purpose.
Public-domain text, read in full here on John Shaqi.
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