Hers was that type of character which every age has reproduced, varying
externally with climates and conditions, but materially the same from
fabled Circe down to Lola Montes, or some less famous syren whose
subjects are not kings. The same passions that in ancient days broke out
in heaven-defying crimes; the same power of beauty, intellect, or
subtlety; the same untamable spirit and lack of moral sentiment are the
attributes of all; latent or alert as the noble or ignoble nature may
predominate. Most of us can recall some glimpse of such specimens of
Nature's work in a daring mood. Many of our own drawing-rooms have held
illustrations of the nobler type, and modern men and women have quailed
before royal eyes whose possessors ruled all spirits but their own. Born
in Athens, and endowed with a finer intellect, Ottila might have been an
Aspasia; or cast in that great tragedy the French Revolution, have
played a brave part and died heroically like Roland and Corday. But set
down in uneventful times, the courage, wit, and passion that might have
served high ends dwindled to their baser counterparts, and made her what
she was,--a fair allurement to the eyes of men, a born rival to the
peace of women, a rudderless nature absolute as fate.
Sylvia possessed no knowledge that could analyze for her the sentiment
which repelled, even while it attracted her toward Warwick's betrothed.
That he loved her she did not doubt, because she felt that even his
pride would yield to the potent fascination of this woman. As Sylvia
looked, her feminine eye took in every gift of face and figure, every
grace of attitude or gesture, every daintiness of costume, and found no
visible flaw in Ottila, from her haughty head to her handsome foot. Yet
when her scrutiny ended, the girl felt a sense of disappointment, and
no envy mingled with her admiration.
As she stood, forgetting to assume interest in the camellias before her,
she saw Gabriel join his cousin, saw her pause and look up at him with
an anxious question. He answered it, glancing toward that part of the
room where she was standing. Ottila's gaze was fixed upon her instantly;
a rapid, but keen survey followed, and then the lustrous eyes turned
away with such supreme indifference, that Sylvia's blood tingled as if
she had received an insult.
"Mark, I am going home," she said, abruptly.
"Very well, I'm ready."
When safe in her own room Sylvia's first act was to take off the holly
wreath, for her head throbbed with a heavy pain that forbade hope of
sleep that night. Looking at the little chaplet so happily made, she saw
that all the berries had fallen, and nothing but the barbed leaves
remained. A sudden gesture crushed it in both her hands, and standing
so, she gathered many a scattered memory to confirm that night's
discovery.
Public-domain text, read in full here on John Shaqi.
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