England -- Social life and customs -- Fiction; Triangles (Interpersonal relations) -- Fiction
In the corner of the meadow near the house, the cows, looming large and
mysterious and unfamiliar, were waiting with hanging heads, and John
stood and looked at them in a kind of dream before he fetched his pail
and stool and settled down to work. His hands were not steady and the
cow was restless at his touch, and when he spoke to her the sound of his
own voice startled him, for the world was leagued with silence and even
the hissing of the milk into the pail had the extravagance of a cascade.
As he worked, he watched the house. No smoke came from its chimneys, but
at length he heard the opening of a door and Lily Brent appeared. He
thought she was like the morning, fresh and young, with all the promise
and danger of a new day, and while he looked at her his hands dropped
idle. She stood on the step and nodded to him before she walked across
the grass.
"You here alone?" she said, and there was a fine frown on her brow.
"Where's the rest of them? If I don't rout them out myself--"
"Don't," he said. "It's early, and it's Sunday morning. They'll come
soon enough." He stood up and rested his folded arms on the cow's back
and looked at Lily.
"She'll have the pail over," she warned him quickly.
He put it out of danger and returned.
"You haven't fetched my stool," she said.
"I forgot it. Wait a bit. I'll get it soon."
"What's the matter with you this morning? We're wasting time."
"Let's waste time," he said. He looked round at the mists floating off
the moor. The light was clearing; the cows had dwindled; the road was no
longer a fairy flood but a highway for the feet of men.
"I want you to pretend it's yesterday," he said.
"What's the matter with you, John?"
"I'm going to tell you. Will you pretend it's yesterday?"
"Yes. It's Saturday morning, a busy day for us. We ought to get to
work."
"Come a step nearer," he said, and she obeyed.
He clutched the hair on the cow's back and spoke in a harsh voice. "Will
you marry me?" he said, frowning and looking her in the eyes. "I've
hardly any money, but I love you. I want you. I didn't know what to do.
If I'd waited till I had as much as you, I might have lost you. I didn't
know what to do, but I thought I'd tell you."
"You needn't explain any more," she said. Her hands, too, fell on the
cow's back, and with a little movement she bade him take them. He
gathered her fingers into his and turned and twisted them.
"I thought--if you wanted me--why should we live on opposite sides of
the way? I can help you--and I love you." He relied on that.
"I love you," he said again.
He heard her ask softly, "Why?"
"Because--because--oh, you're all I want. You're like the earth, like
herbs, like fresh green grass. I've got your hands: give me the rest of
you!"
Her eyes flashed open, he saw and heard her laugh, and their lips met
across the bulky barrier.
Public-domain text, read in full here on John Shaqi.
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