Mortomley's Estate: A Novel. Vol. 2 (of 3)Riddell, J. H., Mrs.
General
Mortomley's Estate: A Novel. Vol. 2 (of 3)
Riddell, J. H., Mrs.
Bankruptcy -- Fiction; England -- Fiction
Rupert's humanity, at all events, accustomed as it was to the wealth of
foliage at Homewood, to the stately trees and bushy shrubs, and matured
gardens, and lawns covered with soft old turf, recoiled with horror
from the naked coldness of Mr. Gibbon's residence, and his teeth
chattered as the uncertain moonbeams glanced hither and thither over new
brick walls, and stuccoed pillars, and British plate-glass, and all
those other items which go to compose a British villa in the nineteenth
century.
The wind, sweeping over the Essex marshes and across Wanstead flats,
brought with it heavy gusts of showers, and one of these pursued Rupert
as he ploughed his way over the loose stones and gravel which had been
laid upon the road.
"It is a nice night and a nice hour for a visit," he reflected. "I
wonder what Gibbons will say to my intruding on his privacy on the
Sabbath-day." And he paused for a moment before applying his hand to the
knocker, and listened to the vocal strength of the family, which was
employed at the moment in singing psalms in that peculiar style which
the clergy assure us is especially pleasing to the Almighty.
They, it is to be presumed, must know something about the matter.
Certainly, the performance affords pleasure to no one of God's creatures
except to the vocalists themselves. In a lull of the wind Rupert could
hear the shrill trebles of the young ladies, the cracked voice of their
mother, the gruff growling of the two sons, and the deep bass of Mr.
Gibbons himself, all engaged in singing spiritual songs in unison.
"It will be a charity to interrupt that before they bring the ceiling
down," said the visitor, and he forthwith gave such a thundering double
knock that the music ceased as if a cannon had been fired amongst the
vocalists.
Miss Amy's hands dropped powerless from the keyboard of the piano, and
Mr. Gibbons, forgetful of the sacred exercises in which he had been
engaged, first exclaimed,
"Who the devil can that be?" and then proceeded to ascertain who it was
for himself.
"I beg ten thousand pardons for intruding upon you," Rupert was
beginning, but Mr. Gibbons would listen to no apology.
"Bless my soul!" he exclaimed, "what can have brought you out such a
night? Come in and have some supper. We were just going to have supper.
The rain came down in such buckets we could not get to church, so the
young people were having a little music. ("Music!" thought Rupert.) Come
in, there is no one here except ourselves."
"You are very kind," Rupert answered, "but I cannot stop. I am wet, and
have had a long, miserable ride. I only want to ask you half-a-dozen
questions, and then I must get home. I left my mare at the 'Green Man,'
and she is drowned, poor old girl."
"Well, you must take something," said Mr. Gibbons, who in trade insisted
upon his pound of flesh if he saw the slightest hope of getting it, but
who out of trade was liberal and hospitable to a commendable degree.
Public-domain text, read in full here on John Shaqi.
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