New England -- Social life and customs -- Fiction; Short stories, American
And, maddened with despair, so that he laughed loud and long, did
Goodman Brown grasp his staff and set forth again, at such a rate that
he seemed to fly along the forest path rather than to walk or run. The
road grew wilder and drearier and more faintly traced, and vanished at
length, leaving him in the heart of the dark wilderness, still rushing
onward with the instinct that guides mortal man to evil. The whole
forest was peopled with frightful sounds—the creaking of the trees, the
howling of wild beasts, and the yell of Indians; while sometimes the
wind tolled like a distant church bell, and sometimes gave a broad roar
around the traveller, as if all Nature were laughing him to scorn. But
he was himself the chief horror of the scene, and shrank not from its
other horrors.
“Ha! ha! ha!” roared Goodman Brown when the wind laughed at him.
“Let us hear which will laugh loudest. Think not to frighten me with
your deviltry. Come witch, come wizard, come Indian powwow, come devil
himself, and here comes Goodman Brown. You may as well fear him as he
fear you.”
In truth, all through the haunted forest there could be nothing more
frightful than the figure of Goodman Brown. On he flew among the black
pines, brandishing his staff with frenzied gestures, now giving vent to
an inspiration of horrid blasphemy, and now shouting forth such
laughter as set all the echoes of the forest laughing like demons
around him. The fiend in his own shape is less hideous than when he
rages in the breast of man. Thus sped the demoniac on his course,
until, quivering among the trees, he saw a red light before him, as
when the felled trunks and branches of a clearing have been set on
fire, and throw up their lurid blaze against the sky, at the hour of
midnight. He paused, in a lull of the tempest that had driven him
onward, and heard the swell of what seemed a hymn, rolling solemnly
from a distance with the weight of many voices. He knew the tune; it
was a familiar one in the choir of the village meeting-house. The verse
died heavily away, and was lengthened by a chorus, not of human voices,
but of all the sounds of the benighted wilderness pealing in awful
harmony together. Goodman Brown cried out, and his cry was lost to his
own ear by its unison with the cry of the desert.
Public-domain text, read in full here on John Shaqi.
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