France -- Social life and customs -- Fiction; Short stories, French -- Translations into English
“Distracting pangs soon came to magnify my grief. I feared that my
treatment had contributed to the development of the disease. I caught
myself forgetting in the morning what I had prescribed the night before,
uncertain in my diagnosis, nervous, and worried. I called in one of my
fellow-practitioners, a clever young fellow, who had a practice in the
next village. When he arrived, the poor little fellow, whose sight was
already gone, was plunged in a profound coma.
“The following day he died.
“A year having elapsed after this misfortune, it happened that I was
called in consultation to the county town. The fact is singular. The
causes which led up to it are extraordinary; but as they have no
connection with what I am relating, I do not record them here. After the
consultation, Dr. C——, physician to the prefecture, did me the honour to
invite me to lunch with him and two other members of the profession.
After lunch, where I found refreshment in conversation at once erudite
and diversified, coffee was served to us in the doctor’s sanctum. As I
approached the mantelpiece to put down my empty cup, I saw hanging upon
the mirror-frame a portrait which aroused in me so profound an emotion
that it was with difficulty I refrained from crying out. It was a
miniature, the portrait of a child. This child resembled in so striking
a fashion the one I had been unable to cure—the child of whom I had been
constantly thinking for a year past—that for a moment I could not avoid
the thought that it was he himself. That supposition, however, was of
course absurd. The black wooden frame, with the circlet of gold
surrounding the miniature, proclaimed the taste of the end of the
eighteenth century, and the child was depicted in a vest of pink and
white striped material such as the little Louis XVII might have worn;
but the face was out-and-out the face of my little Éloi. The same
forehead, imperious and powerful—the forehead of a man beneath the curls
of a cherub; the same fire in the eyes, the same suffering grace on the
lips! Indeed, to the very same features was joined the identical
expression!
“I had probably been examining this portrait for quite a long while when
Dr. C——, clapping me on the shoulder, said—
“‘Ah, my friend, you have before you a family relic which I am proud to
possess. My maternal grandfather was the friend of the illustrious man
whom you see painted there in the days of his early boyhood, and it was
from my grandfather that that miniature came into my possession.’
“I asked him to be good enough to tell me the name of his grandfather’s
illustrious friend. Upon this he unhooked the miniature and held it out
to me:
“‘See,’ he said, 'on the exergue ... _Lyon_, 1787. Doesn’t that recall
anything to you? No? Well, that child of twelve was the great Ampère.'
“Then, in a flash, I had an exact perception, an unequivocal estimate of
what death had swept away one year previously in the farmhouse of Les
Alies.”
Public-domain text, read in full here on John Shaqi.
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