She liked to vex him with Oliver. She liked to vex him generally. Indeed in this by no means abnormal love affair, there was a very strong antagonism. She seemed to resent the attraction Mr. Britling had for her and the emotions and pleasure she had with him. She seemed under the sway of an instinctive desire to make him play heavily for her, in time, in emotion, in self-respect. It was intolerable to her that he could take her easily and happily. That would be taking her cheaply. She valued his gifts by the bother they cost him, and was determined that the path of true love should not, if she could help it, run smooth. Mr. Britling on the other hand was of the school of polite and happy lovers. He thought it outrageous to dispute and contradict, and he thought that making love was a cheerful, comfortable thing to be done in a state of high good humour and intense mutual appreciation. This levity offended the lady's pride. She drew unfavourable contrasts with Oliver. If Oliver lacked charm he certainly did not lack emotion. He desired sacrifice, it seemed, almost more than satisfactions. Oliver was a person of the most exemplary miserableness; he would weep copiously and frequently. She could always make him weep when she wanted to do so. By holding out hopes and then dashing them if by no other expedient. Why did Mr. Britling never weep? She wept. Some base streak of competitiveness in Mr. Britling's nature made it seem impossible that he should relinquish the lady to Oliver. Besides, then, what would he do with his dull days, his afternoons, his need for a properly demonstrated affection? So Mr. Britling trod the path of his eighth digression, rather overworked in the matter of flowers and the selection of small jewellery, stalked by the invisible and indefatigable Oliver, haunted into an unwilling industry of attentions--attentions on the model of the professional lover of the French novels--by the memory and expectation of tearful scenes. "Then you don't love me! And it's all spoilt. I've risked talk and my reputation.... I was a fool ever to dream of making love beautifully...." Exactly like running your car into a soft wet ditch when you cannot get out and you cannot get on. And your work and your interests waiting and waiting for you!... The car itself was an outcome of the affair. It was Mrs. Harrowdean's idea, she thought chiefly of pleasant expeditions to friendly inns in remote parts of the country, inns with a flavour of tacit complicity, but it fell in very pleasantly with Mr. Britling's private resentment at the extraordinary inconvenience of the railway communications between Matching's Easy and her station at Pyecrafts, which involved a journey to Liverpool Street and a long wait at a junction. And now the car was smashed up--just when he had acquired skill enough to take it over to Pyecrafts without shame, and on Tuesday or Wednesday at latest he would have to depart in the old way by the London train....