Americans -- England -- Fiction; England -- Fiction; Fox hunting -- Fiction
When she was out of sight, Caswell’s eyes went back to his book of
verses, but they carried no impressions from the page to his brain.
The thoughts which had been aroused were insistent. They possessed him
and he sat and battled with them. He was distracted from his reverie by
the fluttering of the paper on the pin. A warm breeze had awakened and
came in mimic gales which rippled the pools and set the bamboos on the
farther bank in a silver shimmer. After the pin had resisted several
onslaughts, a stronger air loosed it and sent the paper fluttering into
the water.
Almost before it fell Caswell was on his feet. Then he checked himself.
“It is not my business,” he thought. “Shall I interfere with the
course of Fate?” He sat down. Then he rose again. “But perhaps I am
the minister of Fate.” He leaned over the rail. The paper was slowly
sinking, but he read under the clear water, “I am going to walk. Do you
want to come?”
The young man’s stick was lying on the balcony. He took it and leaning
over the rail fished up the wet paper. As he put his hand upon it, he
heard a footfall, and turning saw the big lieutenant coming out of the
temple. He had turned in time to catch the youth’s expression, as he
perceived that the girl was not there.
“Oh!” said the youth, awkwardly. He saw that something had happened.
Caswell bowed in the Japanese manner, sucking his breath as if to
a superior, and extended the dripping paper with the inscrutable
countenance which the East had taught him.
The youth read it at a glance. “Thank you! Thank you, very much!” he
said, impulsively; then remembering himself, he repeated his thanks
in Japanese: “_Arigato! Arigato!_ I understand,” he said, in answer
to Caswell’s gesture toward the water. “The wind blew it in. You were
very good.” He repeated the Japanese word again and bowed, and Caswell,
bowing solemnly, backed off the balcony and left him.
“It was best so,” he thought, when he was on the path by the edge of
the water.
He had come to the priest’s apartments, the little palace where the
great Shogun had lived in his retirement, before he was conscious
whither his steps were taking him. His thoughts were across eight
thousand miles of sea. He looked around him with a start. “Shall I go
in?” he said to himself. One of the priests, although of a different
sect, was his friend. On the porch, a temple student saluted him. He
was known because he often came, not only to talk with his friend, but
to study the screens of Kano Tan Yu and Jakuchu, and the marvelous
folding screens painted by Korin and Soami, and the kakemonos by those
other ancient masters, Cho Densi and Shubun and Eishin.
Public-domain text, read in full here on John Shaqi.
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