Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
But the fashionable world went on its way unheeding. Du Maurier
satirized this indifference in a picture in which one lady asks
another: "_Where_ is this Heligoland they're all talking so much
about?" and her friend replies, "Oh, I don't know, dear. It's one of
the places lately discovered by Mr. Stanley."
Russia, it may be added, also incurred _Punch's_ censure in 1890, the
legalized persecution of Jews forming the theme of a prophetic cartoon
in August, in which the shade of Pharaoh warns the Tsar, as he stands
with a drawn sword and his foot on a prostrate Hebrew: "Forbear! That
weapon always wounds the hand that wields it."
In 1891 the new "orientations" of the European Powers attract a good
deal of notice. The Franco-Russian _entente_ is symbolized by the Bear
making France dance to the tune of the Russian loan. _Punch's_ distrust
of Russia--semi-Asiatic and half-Tartar--dated from the 'forties. The
tightening of the Franco-Russian Entente in 1891 gave him no pleasure.
He quotes with manifest approval the comment of a daily paper on the
infatuation of France:--
The success of a Russian Loan is not dearly purchased by a little
effusion, which, after all, commits Russia to nothing. French
sentiment is always worth cultivating in that way, because unlike the
British variety, it has a distinct influence upon investments.
The cartoon of President Carnot embracing, and being hugged by, the
Bear was founded on an episode at Aix-les-Bains where he kissed
a little girl in Russian dress who gave him a bouquet, saying:
"J'embrasse la Russie." _Punch's_ verses represent Carnot as fully
conscious of his _blague_, yet with an uneasy consciousness that the
Bear is going to squeeze him. Russia's religious intolerance again
comes in for strong condemnation. The Tsar is shown wielding the knout
on an aged Jew while the Emperor of China greets a Christian priest.
This contrast was based on the issue of a decree in which the Chinese
Government condemned anti-Christian excesses. In another cartoon the
Tsar bids his minions remove another aged Jew on the familiar ground
that Jews were always to the fore in Nihilist plots. The European
Powers, it should be added, were not satisfied by China's official
tolerance. The treatment of foreigners had provoked a collective
protest, from which Russia abstained. So when John Bull, as a sailor,
asks Russia to take a hand in controlling the Chinese Dragon, Russia
replies: "Well, I don't know--you see, he's a sort of relation of mine!"
Public-domain text, read in full here on John Shaqi.
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