"Lots. When he wants to get something. He wanted to get Fanny....
Besides, he does them to get power, to get a hold on you. It's really
for himself all the time. It gives him a certain simplicity and purity.
He isn't a snob. He doesn't think about his money or his property, or
his ancestors--he's got heaps--quite good ones. They don't matter.
Nothing matters but himself."
"How about his book? Doesn't that matter?"
"It does and yet again it doesn't. He pretends he's only doing it to
amuse himself, but it's really a projection of his ego into the
Cotswolds. On the other hand, he'd hate it if you took him for a
writing man when he's Horatio Bysshe Waddington. That's how he's got it
into such a mess, because he can't get away from himself and his Manor."
"Proud of his Manor, anyhow."
"Oh, yes. Not, mind you, because it's perfect Tudor of the sixteenth
century, _nor_ because the Earl of Warwick gave it to his
great-grandfather's great-great-grandfather, but because it's his Manor.
Horatio Bysshe Waddington's Manor. Of course, it's got to be what it is
because any other sort of Manor wouldn't be good enough for Bysshe."
"It's an extension of his ego, too?"
"Yes. Horatio's ego spreading itself in wings and bursting into
ball-topped gables and overflowing into a lovely garden and a park.
There isn't a tree, there isn't a flower that hasn't got bits of Horatio
in it."
"If I thought that I should never want to see roses and larkspurs
again."
"It only happens in Horatio's mind. But it does happen."
So, between them, bit by bit, they made him out.
And they made out the book. Here and there, on separate slips, were
great outlying tracts of light, contributed by Ralph, to be inserted,
and sketches of dark, undeveloped stuff, sprung from Waddington, to be
inserted too. Neither Ralph nor Barbara could make them fit. The only
thing was to copy it out clear as it stood and arrange it afterwards.
And presently it appeared that two pages were missing.
One evening, the evening of Mr. Waddington's return, looking for the
lost pages, Barbara made her great discovery: a sheaf of manuscript, a
hundred and twenty pages in Ralph's handwriting, hidden away at the back
of the bureau, crumpled as if an inimical hand had thrust it out of
sight. She took it up to bed and read it there.
Public-domain text, read in full here on John Shaqi.
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