Mr. Waddington's _Ramblings Through the Cotswolds_ were to be profusely illustrated. The question was: photographs or original drawings? And he had decided, after much consideration, on photographs taken by Pyecraft's man. For a book of such capital importance the work of an inferior or obscure illustrator was not to be thought of for an instant. But there were grave disadvantages in employing a distinguished artist. It would entail not only heavy expenses, but a disastrous rivalry. The illustrations, so far from drawing attention to the text and fixing it firmly there, would inevitably distract it. And the artist's celebrated name would have to figure conspicuously, in exact proportion to his celebrity, on the title page and in all the reviews and advertisements where, properly speaking, Horatio Bysshe Waddington should stand alone. It was even possible, as Fanny very intelligently pointed out, that a sufficiently distinguished illustrator might succeed in capturing the enthusiasm of the critics to the utter extinction of the author, who might consider himself lucky if he was mentioned at all. But Fanny had shown rather less intelligence in using this argument to support her suggestion that Barbara Madden should illustrate the book. She had more than once come upon the child, sitting on a camp-stool above Mrs. Levitt's house, making a sketch of the steep street, all cream white and pink and grey, opening out on to the many-coloured fields and the blue eastern air. And she had conceived a preposterous admiration for Barbara Madden's work. "It'll be an enchanting book if she illustrates it, Horatio." "_If_ she illustrates it!" But when he tried to show Fanny the absurdity of the idea--Horatio Bysshe Waddington illustrated by Barbara Madden--she laughed in his face and told him he was a conceited old thing. To which he replied, with dignified self-restraint, that he was writing a serious and important book. It would be foolish to pretend that it was not serious and important. He hoped he had no overweening opinion of its merits, but one must preserve some sense of proportion and propriety--some sanity. "Poor little Barbara!" "It isn't poor little Barbara's book, my dear." "No," said Fanny. "It isn't." Meanwhile, if the book was to be ready for publication in the spring, the photographs would have to be taken at once, before the light and the leaves were gone.