It was a fairly large room with a wide latticed window that overlooked
the stone-cutter’s yard, for the cottage was to the side of the house
and its three windows looked that way. Clean muslin curtains hung at
the window, so that Jane-Anne couldn’t see out except when they moved
with the breeze. The ceiling was low and an oak beam crossed it. Most
of the rooms in the main part of the house were panelled, but here they
were papered, and the paper was of a cheerful chintzy pattern with
garlands of little pink roses.
The furniture was all of brightly polished mahogany that had been in
Elsa’s room at Remote, and it had that characteristic individual look
only to be found in old furniture well tended by careful hands through
many years.
The Chippendale Talboys had a scroll top with a pedestal in the centre,
and on that pedestal was a little brass owl. The handles had lost their
lacquer with time, but the warm red wood was mirror-like in its
brightness, and in the great "press"—a cupboard in two divisions with
deep sliding shelves—Jane-Anne watched the reflection of the fluttering
curtain with sleepy satisfaction.
She had no idea why she liked these things so much better than the
painted wood that furnished the bedroom in Jeune Street, but she did
like them amazingly, and their presence filled her with such
satisfaction as caused her for a little while to forget how exceedingly
hungry she was.
Presently the door was opened a little way and a fair curly head was
poked through cautiously. Jane-Anne was lying with her back to the
door, and all that was visible of her was a night of black hair
streaming over the quilt and a long slender mound in the bed where her
body lay. She was so still that Edmund thought she was asleep, and was
going away again when something, some tiny sound, caused her to turn
round, and she saw him.
Edmund vanished like a flash and she heard his stentorian voice
proclaiming: "She’s awake, Mrs. Dew; you can bring that chicken."
Then he returned, and nodding at her in most friendly fashion seated
himself at the end of the bed, remarking:
"What an awful lot of hair you’ve got; isn’t it frightfully hot?"
"I can never keep the ribbons on it in bed. I don’t mind it. I rather
like to be hot."
The two stared at each other, and Edmund decided that Jane-Anne looked
nicer in bed than when she was up. The soft, shadowy masses of her hair
were infinitely more becoming than the pie-dish. Her forehead was
smooth and placid. There was no deep wrinkle between her black
eyebrows.
"I’m glad you’re here," said Edmund genially; "but it’s a pity you’re in
bed. You might have done some more fielding if you’d been up."
"I’m very sorry I can’t run after balls for you, sir," Jane-Anne said
meekly, "but I can’t be sorry I’m in bed, for if I wasn’t I’d be going
back to the Bainbridge almost at once, and now doctor says I can’t go
for another fortnight."
"And you’re glad not to go? Why?"
Public-domain text, read in full here on John Shaqi.
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