Inheritance and succession -- Fiction; New England -- Fiction; Villages -- Fiction
The visitor gone, Miss Wax heaved a sigh of relief, and tried to settle
to her work again; but it would not do. Her mind had been disturbed,
and, as she often said, her profession required calm. The hand must be
steady, the nerves tranquil, or the delicate strands would twist and
knot; and now her long, slim fingers were trembling, and the silken
threads danced before her eyes. "I must give it up for to-day," said
Miss Bethia, sadly; and she put away the little table, and took out a
clean silk duster.
A parlor must be dusted twice in the day, according to Miss Wax's
theory: once in the morning, to remove the night's accumulation of dust,
and again toward evening, to take up such particles of the evil thing as
had settled during the day on chair or table, book or ornament. The
morning task was an anxious one, and apt to be complicated by fears of
the coffee's boiling over; but the afternoon dusting was one of the good
lady's pleasures, and she took her time over it. She loved to linger
over the glass cases, polishing them, admiring the treasures they
protected, and recalling the circumstances of their making. It was
pleasant to accompany her, as one was sometimes permitted to do, on one
of these friendly rounds.
"These pond-lilies," she would say, "were a wedding present to my cousin
Cilissa Vinton, deceased. They were admired by some; Cilissa thought
they were real, and wished to wear them in her hair. After her lamented
death (of spasms), the family returned them to me as a memento. That
spray of roses is made of feathers, the breast-feathers of the domestic
goose. I never allowed them to be plucked from the living bird, my dear!
I used to wear them in my hair; some thought the contrast pretty." And
Miss Bethia would sigh gently, and glance at the long mirror, which
reflected her tall and angular gentility.
But this afternoon the good lady's thoughts were not reminiscent. As she
stood before the rosewood "what-not," lifting each article, wiping it,
and replacing it with delicate nicety (I can see them all: the two
mandarins, the china baby in the bath-tub,--you could take him out! the
whole thing would go into a walnut-shell,--the pink-and-gold Dresden
shepherd and shepherdess, the Chinese puzzles, and all the other quaint
pleasantnesses), it was of to-day rather than yesterday that Miss Bethia
was thinking. Should she--_could_ she--walk in a public procession
attired as Minerva? She put aside with an inward shudder Mrs. Weight's
characterization of the possible performance. She, Bethia Wax, could not
"strut and stomp" if she tried. Her walk was graceful, as she was well
aware; in her youth she had been said to glide.
"As a swan o'er the water,
Quahaug's fairy daughter
In majesty maiden doth glide;
May the day Wax and wane
When the sighs of her swain
May waft her to bliss as a bride!"
Public-domain text, read in full here on John Shaqi.
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