Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
Meanwhile the mind of the Duchess was in a buzz of contradictory
humours. She was uncertain of herself. She wanted to express ideas the
very opposite of her age-worn convictions. For the first time she saw
herself as not quite the most important creature amongst the stars.
Beyond all else, above all else, at that phase of the conflict, the
insatiable desire to make a pun beset her. Horrible! Horrible! The
better half of her mind, the predominant partner of her will, bravely
and silently exclaimed against its dreadfulness. But imps seemed
playing pranks with her, giving her a thousand opportunities for some
infamous punning. The propensity had hold of her like neuralgia; it
needed all her firmness and stolid prejudice to counteract the tendency,
and prevent the commission of that lowest form of verbal play. During
the whole of the battle Strauss and Chopin were supplying their
melodies; and June was feeling fiercely unmerciful.
Then the men came drifting in. The ladies woke from their languors.
Bridge was mentioned.
Geoffrey, seeing the frowns and energy in his mother’s face, wondered
who had offended. He looked sharply at Mrs. Thyme; she was evidently
not the culprit. He found her smiling at Sir Claude, and making room
for him by her side on a settee. The Baronet had always some
entertaining ill-natured tattle at the end of his tongue. He was the
Autolycus of tinted gossip. June, in sheer puckishness of spirit,
touched the Baronet with a spell. His stories became Sunday tales. They
were dilatory and improving. Mrs. Billie frankly told him he bored.
It was the Duke who noticed the tiara out of place. He sauntered over
to his wife, wondering how this could have happened. He saw new
wrinkles about her eyes. Her face had an east-wind expression.
"Edith," he murmured, "look in the mirror. Your tiara."
The pained look went. Her fashionable callousness for a moment melted.
She raised her hands to the tiara to mend the mischief. A pun--the only
pun possible under the circumstances--was on her lips. It came to the
edge of expression; she to the brink of defeat.
She rallied her forces desperately. She would not be beaten. But the
magic was potent. She had to say it, and did--to herself. Her lips
moved mutely. That was the beginning of the fairies’ victory.
Suddenly June felt pity for the _grande dame_, who, in her solitude of
station, knew no better. Already with her keen susceptibilities she
could see the real aspect of sadness in that golden scene. Paradise
Court had its hopelessness, its waste and poverty; so had Armingham
House--hopelessness, waste, poverty, as actual, if not worse, though
different, very different, from what the poorest know.
Public-domain text, read in full here on John Shaqi.
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