Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
"Don’t call me Mister, Season! There’s no side between gentlemen, hey?
She’s a beauty! Light, and as for power and speed--well, I’m no orator!
Passed you in Sloane Street by Cadogan Square. You were with a
specially nice little piece of frilling--girl with a hat all over her.
Gave four-fifty for her--the mo. I mean. Don’t laugh. T’other side of
Hounslow sent her along like blazes. The bobbies couldn’t get ready for
me. Rushed past three of them--traps and all--like a greased eel,
before they could doctor their watches. Nearly knocked over one cop.
Ha! And not more than a mile further on went over a boy’s foot. No
business playing in the roads, those kids! You should have heard him
squeal. Talk of Wagner, and that rot! This is private between you and
me, y’ know. Fortunately, the mo. made such a dust they couldn’t see my
number. I--oh, if you don’t want to hear any more, you needn’t! Shirty
dog! Just because he’s a duke’s son, gives himself airs. What’s a duke
nowadays? Pauper rats! Hullo, Gertie; come and have some sup. Liberty
Hall’s a rotter, but his cham’s worth drinking! Then I’ll take you
home, little gell. You must see my new mo.----"
Geoffrey did not dance again. The pause had given him an opportunity
for recollection. He had since entering Mrs. Moss’s hospitable abode
somewhat forgotten his better purposes; but was already ashamed of his
recent excitement. Though he started from Armingham House with the full
intention of getting as much enjoyment at Liberty Hall as possible, he
felt he ought to have remembered better the contrast of conditions
between this revel and the sordid misery and nakedness of the slums.
He stood underneath the gallery watching and beginning to wonder. More
than one of his companion-guests chaffed him for his grave face and
preoccupied airs. He answered their badinage with repartee good enough.
The dancing became still more violent. Certain ladies, flaxen-haired
and well-complexioned--footlight favourites--punctuated the step phrases
of a barn-dance with high, high kicks.
Barnett Q. laughed with happy tolerance at the lace display, winked
archly at some elderly cronies, babbled that things were somewhat slower
in his young days, and went about murmuring to all and sundry, "Liberty
Hall! Liberty Hall!"
Geoffrey felt the beginning of an angry shame--of himself first and
foremost. Everything jarred on him now. The fairies had hold of him;
but June, just then, was doing nothing. She was far away among the
happy shadows.
The excitement had come to seem feverish, unreal; the laughter rang
untrue--a mockery of gaiety. But still they laughed, as if they were
fey. Geoffrey had been at such gatherings four or five times before, and
had found them, with their colour, movement and irresponsibleness
extremely amusing. They had sent him back to his world of ennui
refreshed, a restored superior gentleman. But to-night he was restless,
tired of the glamour; its gaiety was repulsive.
Public-domain text, read in full here on John Shaqi.
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