England -- Social life and customs -- 19th century -- Fiction
Perhaps the cast of our political pantomime never was richer than at this
day. We are particularly strong in clowns. At no former time, we should
say, have we had such astonishing tumblers, or performers so ready to go
through the whole of their feats for the amusement of an admiring throng.
Their extreme readiness to exhibit, indeed, has given rise to some
ill-natured reflections; it having been objected that by exhibiting
gratuitously through the country when the theatre is closed, they reduce
themselves to the level of mountebanks, and thereby tend to degrade the
respectability of the profession. Certainly Grimaldi never did this sort
of thing; and though Brown, King, and Gibson have gone to the Surrey in
vacation time, and Mr. C. J. Smith has ruralised at Sadler’s Wells, we
find no theatrical precedent for a general tumbling through the country,
except in the gentleman, name unknown, who threw summersets on behalf of
the late Mr. Richardson, and who is no authority either, because he had
never been on the regular boards.
But, laying aside this question, which after all is a mere matter of
taste, we may reflect with pride and gratification of heart on the
proficiency of our clowns as exhibited in the season. Night after night
will they twist and tumble about, till two, three, and four o’clock in
the morning; playing the strangest antics, and giving each other the
funniest slaps on the face that can possibly be imagined, without
evincing the smallest tokens of fatigue. The strange noises, the
confusion, the shouting and roaring, amid which all this is done, too,
would put to shame the most turbulent sixpenny gallery that ever yelled
through a boxing-night.
It is especially curious to behold one of these clowns compelled to go
through the most surprising contortions by the irresistible influence of
the wand of office, which his leader or harlequin holds above his head.
Acted upon by this wonderful charm he will become perfectly motionless,
moving neither hand, foot, nor finger, and will even lose the faculty of
speech at an instant’s notice; or on the other hand, he will become all
life and animation if required, pouring forth a torrent of words without
sense or meaning, throwing himself into the wildest and most fantastic
contortions, and even grovelling on the earth and licking up the dust.
These exhibitions are more curious than pleasing; indeed, they are rather
disgusting than otherwise, except to the admirers of such things, with
whom we confess we have no fellow-feeling.
Public-domain text, read in full here on John Shaqi.
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