Psychological fiction; Railroad stations -- England -- London -- Fiction
Our landlady was the widow of a silver-worker, and lived by the sale of
filigree ornaments, cheap jewellery, combs, fans, and toys in ivory and
jet. She had an only daughter named Gianetta, who served in the shop,
and was simply the most beautiful woman I ever beheld. Looking back
across this weary chasm of years, and bringing her image before me (as I
can and do) with all the vividness of life, I am unable, even now, to
detect a flaw in her beauty. I do not attempt to describe her. I do not
believe there is a poet living who could find the words to do it; but I
once saw a picture that was somewhat like her (not half so lovely, but
still like her), and, for aught I know, that picture is still hanging
where I last looked at it—upon the walls of the Louvre. It represented a
woman with brown eyes and golden hair, looking over her shoulder into a
circular mirror held by a bearded man in the background. In this man, as
I then understood, the artist had painted his own portrait; in her, the
portrait of the woman he loved. No picture that I ever saw was half so
beautiful, and yet it was not worthy to be named in the same breath with
Gianetta Coneglia.
You may be certain the widow’s shop did not want for customers. All
Genoa knew how fair a face was to be seen behind that dingy little
counter; and Gianetta, flirt as she was, had more lovers than she cared
to remember, even by name. Gentle and simple, rich and poor, from the
red-capped sailor buying his earrings or his amulet, to the nobleman
carelessly purchasing half the filigrees in the window, she treated them
all alike—encouraged them, laughed at them, led them on and turned them
off at her pleasure. She had no more heart than a marble statue; as Mat
and I discovered by-and-by, to our bitter cost.
I cannot tell to this day how it came about, or what first led me to
suspect how things were going with us both; but long before the waning of
that autumn a coldness had sprung up between my friend and myself. It
was nothing that could have been put into words. It was nothing that
either of us could have explained or justified, to save his life. We
lodged together, ate together, worked together, exactly as before; we
even took our long evening’s walk together, when the day’s labour was
ended; and except, perhaps, that we were more silent than of old, no mere
looker-on could have detected a shadow of change. Yet there it was,
silent and subtle, widening the gulf between us every day.
It was not his fault. He was too true and gentle-hearted to have
willingly brought about such a state of things between us. Neither do I
believe—fiery as my nature is—that it was mine. It was all hers—hers
from first to last—the sin, and the shame, and the sorrow.
Public-domain text, read in full here on John Shaqi.
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