Music and Life: A study of the relations between ourselves and musicSurette, Thomas Whitney
History
Music and Life: A study of the relations between ourselves and music
Surette, Thomas Whitney
Music -- History and criticism
This statement would not be complete were we to omit the instruments
which play themselves. The educational possibilities of these
instruments have not been realized, for they are used chiefly for
amusement. In spite of the extraordinary selections of music which one
finds in people’s houses, and in spite of the seemingly incorrigible
propensity to hear singing, as opposed to hearing music,--I mean the
exaggerated and grotesque singing of certain famous people who care
chiefly for sensation,--the graphophone, which has the practical
advantage of being portable and inexpensive,--it has transformed many
a lonely farmhouse,--and the mechanical piano-players have become
so popular that one can but conclude that there are multitudes of
people whose desire for music has never before been satisfied. Would
that this desire could be turned into proper channels; that these
instruments could be used systematically to build up taste and develop
understanding of great music. The larger number of people using them
have no means of knowing what to buy. If they could hear the best music
their allegiance would probably be secured. How many parents ever think
of the responsibility laid upon them of preserving or improving the
musical taste of their children by a careful supervision of the records
or rolls used with these instruments?
This completes the list of our own personal activities in music. And
we have to admit that the most discouraging item of all comes at the
end. For we make little music of our own, by our own firesides where
all good things should begin, and where we should find the community
in embryo. What a delightful element in family life is the gathering
together of young and old to join in singing! How few families
cultivate this custom! How few parents, whether they themselves care
for it or not, realize that their children would enjoy it and be helped
by it! Why should not such parents begin at once and be encouraged, or
even taught by their children until all can sing together heartily and
well? Is it not worth while preserving the musical sense of children,
so that when they reach your age they will not be helpless as you are?
Are you satisfied to have your child’s music merely bought and paid
for outside the home? How can you expect it to flourish under such
conditions? Let the children teach you, if need be. Copy them, learn
their songs by ear, and find out what music really is!
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