Music -- Physiological effect; Music, Influence of
two things at once, especially if one of these is to listen to music.
The effect of different foods upon digestion and health is known, and
most persons eat with a regularity which is related to capacity and
needs. They are usually able to select the items they desire, the time
at which they will eat, and the period for consumption.
The ideal attitude while eating is one of mental serenity and physical
repose. If certain criteria are observed music can be relaxing. The
elements which increase relaxation are melody, rhythm, and softness.
If the music which accompanies meals is carefully selected it can make
eating more pleasurable, and this is desirable for patients in the
hospital.
Mealtime music must be unobtrusive. It must lack stimulating qualities
which attract attention. If the diner can promptly name the selection
played five minutes earlier, that piece was too impressive in score or
performance. Perhaps the most suitable form of dinner music is that
played by a small string ensemble. The piano and harp are also very
satisfactory, alone or in combination with the ensemble. When the
piano is played in the hesitant legato style of Eddie Duchin it is
particularly desirable. The shrill sounds of the flute or the brassy
sound of the trumpet must be omitted. The music must be soft and slow.
Avoid vocals and strange instruments.
The volume of the music should be maintained at as nearly the same
level as is consistent with the source of the music. It should begin
without fanfare or any attempt to attract attention. The level of
intensity should not interfere with conversation, for, if the loudness
of the music demands an increased volume of voice to carry on normal
conversation, it defeats the purpose of relaxation by evoking increased
energy on the part of the speaker. When possible the end of the
selection should fade out. There should be nothing abrupt about the
selection, and unusual sequences or novelties should be avoided. The
music should be fluent and entirely unexciting. The interval between
pieces should be brief in order to sustain auditory reception at
a fairly continuous level. Five to ten seconds between numbers is
recommended, and this coincides approximately with the time required
to change discs on an automatic or manually controlled record player.
Musical selections should be played in groups. The groups should last
a total of about fifteen minutes with rest intervals of about three
minutes. This simulates the requirements and performance of the live
ensemble and has become a part of stylized dinner music. The music
should last as long as the meal.
Public-domain text, read in full here on John Shaqi.
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