Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
There is no derogation of the honor clue to the Catholic Church in the
assertion that a large element in the extraordinary spell which she has
always exercised upon the minds of men is to be found in the beauty of
her liturgy, the solemn magnificence of her forms of worship, and the
glorious products of artistic genius with which those forms have been
embellished. Every one who has accustomed himself to frequent places of
Catholic worship at High Mass, especially the cathedrals of the old
world, whether he is in sympathy with the idea of that worship or not,
must have been impressed with something peculiarly majestic, elevating,
and moving in the spectacle; he must have felt as if drawn by some
irresistible fascination out of his accustomed range of thought, borne by
a spiritual tide that sets toward regions unexplored. The music which
pervades the mystic ceremony is perhaps the chief agent of this mental
reaction through the peculiar spell which the very nature of music
enables it to exert upon the emotion. Music in the Catholic ritual seems
to act almost in excess of its normal efficacy. It may, without
impropriety, be compared to the music of the dramatic stage in the aid it
derives from accessories and poetic association. The music is such a
vital constituent of the whole act of devotion that the impressions drawn
from the liturgy, ceremony, architecture, decoration, and the sublime
memories of a venerable past are all insensibly invoked to lend to the
tones of priest and choir and organ a grandeur not their own. This is the
reason why Catholic music, even when it is tawdry and sensational, or
indifferently performed, has a certain air of nobility. The ceremony is
always imposing, and the music which enfolds the act of worship like an
atmosphere must inevitably absorb somewhat of the dignity of the rite to
which it ministers. And when the music in itself is the product of the
highest genius and is rendered with reverence and skill, the effect upon
a sensitive mind is more solemnizing than that obtained from any other
variety of musical experience.
Public-domain text, read in full here on John Shaqi.
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