Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
The insistence upon the use of one unvarying language in the Mass and all
the other offices of the Catholic Church is necessarily involved in the
very conception of catholicity and immutability. A universal Church must
have a universal form of speech; national languages imply national
churches; the adoption of the vernacular would be the first step toward
disintegration. The Catholic, into whatever strange land he may wander,
is everywhere at home the moment he enters a sanctuary of his faith, for
he hears the same worship, in the same tongue, accompanied with the same
ceremonies, that has been familiar to him from childhood. This universal
language must inevitably be the Latin. Unlike all living languages it is
never subject to change, and hence there is no danger that any
misunderstanding of refined points of doctrine or observance will creep
in through alteration in the connotation of words. Latin is the original
language of the Catholic Church, the language of scholarship and
diplomacy in the period of ecclesiastical formation, the tongue to which
were committed the ritual, articles of faith, legal enactments, the
writings of the fathers of the Church, ancient conciliar decrees, etc.
The only exceptions to the rule which prescribes Latin as the liturgical
speech are to be found among certain Oriental congregations, where, for
local reasons, other languages are permitted, _viz._, Greek, Syriac,
Chaldaic, Slavonic, Wallachian, Armenian, Coptic, and Ethiopic. In each
of these instances, however, the liturgic speech is not the vernacular,
but the ancient form which has passed out of use in other relations.[50]
Public-domain text, read in full here on John Shaqi.
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