Sitar, a Hindu stringed instrument from Nagpoor. Sitar, a fine specimen with movable brass frets, Hindustan. The strings are of thin wire. Vina, the principal national instrument of the Hindus, also known as the Bengalese vina, strung with wire. The present specimen, which is of the smaller kind, is also called _kinnari_. Been, or Anthara vinai, Hindustan. This species of vina, is called by some Europeans, "the Benares vina," while the old national instrument of the Hindus, which is somewhat different in shape, is called, as we have just seen, "the Bengalese vina," no doubt on account of their being most popular in the districts indicated by their names. Rudra vina, from Bombay, a kind of _been_ with sympathetic wire-strings, placed under the wire-strings which are sounded by the player. Ta˚s and bow, Hindustan. The ta˚s is a kind of sitar, the thin wire strings of which are played with a bow. It is made in the shape of a peacock, hence its name _ta˚s_, which signifies "peacock." The present specimen, which was sent by the Rajah of Navha to the International Exhibition, London, 1872, is from the Punjab. It is richly coloured, and gilt. The crest and the tail of the bird represented are peacock's feathers, stuck into holes made for the purpose. Koka, a rude kind of Hindu fiddle, mounted with two wire strings, from Bombay. The body consists of a large nut. The instrument bears a strong resemblance to the _gunibry_ of the Barbary States; the latter is, however, played with the fingers, instead of a bow. Chikarah, a Hindu instrument of the violin class, from Bombay. It is cut out of a single block of wood, which, when rubbed or damped, emits a peculiar aromatic scent. The belly is of parchment. The instrument has three catgut-strings, beneath which are placed seven thin strings of wire. The wire-strings are fastened to tuning-pegs situated at the side of the neck. They merely serve as sympathetic strings, to increase the sonorousness when the catgut-strings are played upon with the bow. Sarungi, a Hindu instrument of the violin class, from Bombay. It is constructed of the same kind of wood as the chikarah before mentioned, but its shape is different. The belly is of parchment. The four catgut-strings with which the sarungi is mounted are played with the bow, and thirteen strings of thin brass wire, which run through little holes in the ivory bridge, are placed under the catgut-strings to serve as sympathetic strings. The performer on the sarungi does not press the catgut-strings down upon the finger-board, but touches them at the side with his fingers to produce the tones which he desires. He places the instrument before his breast in a nearly perpendicular direction. Whatever may be thought of this method of playing, the sarungi is certainly considered a very effective instrument, not only by the Hindus, but even by some European listeners. For instance, Colonel Meadows Taylor ('Proceedings of the Royal Irish Academy, Dublin, 1865,' p.