Inscription: "Wood and Ivy, late Gerd Wood, London." A basset horn (corno di bassetto), probably English. A border bagpipe, from Northumberland. With bellows, and four drones. A French bagpipe (cornemuse). An English trumpet in case; made probably in the eighteenth or in the beginning of the nineteenth century. A small trombone, English, made by Allen and Pace. A horn, of brass; the bell terminating in the head of a serpent; English, eighteenth century. A serpent, by "Gerrock Wolf, in London;" beginning of the present century. Two alphorns, made by M. von Euw in B¸rgy, Rigi Kulm, Canton Swyz, Switzerland, of birchwood neatly covered with birch-bark. Length, 8 ft. 1 in. A cither, a specimen of the kind which was commonly found in England, some centuries ago, in barbers' shops; English, about 1700.[6] A German cither; end of the seventeenth century. Ornamented with marquetry. A small English cither, made about the year 1700. The open strings produce only five tones instead of six. Specimens of this kind are very scarce. An English cither of the eighteenth century. An English cither made by Remerus Liessem, London, 1756. The body is of a very old-fashioned form, having several incurvations at the sides. A small English cither of the eighteenth century. The sound-hole is ornamented with a rose made of wood. The rose of the English cither is more usually made of bronze. Cetera; an Italian cither, made about the year 1680. This is the most beautiful cither in the collection. The entire instrument, except the belly, is inlaid with tasteful designs in ivory and ebony. Also the tone is remarkably fine. A Scotch cither neatly inlaid with wood ornamentation. At the back is a plate of mother-of-pearl with the inscription "Rudiman, ABDN, DG." Perhaps this cither belonged to the well-known Latin grammarian Rudiman, who, about the year 1700, was at King's College in Aberdeen. An Irish cither with an ivory finger-board and with ten tuning-screws of brass. A large specimen. Made by Perry in Dublin; eighteenth century. Cithara; a Portuguese cither with six pairs of wire-strings, inlaid with tortoise-shell and ivory. Made by Joan Vieira da Silva at Lisbon, about 1700. Cithara; a Portuguese cither, probably dating from the beginning of the eighteenth century. Mounted with twelve strings in pairs. A very fine-toned instrument. Inscription: "Cyprianio Antonio a fez em Lisboa, ao Largo da EsperanÁa." A keyed cither; English, eighteenth century. It has six ivory keys. The idea of applying keys like those of the pianoforte to the cither, and thus striking the wire-strings with hammers instead of twanging them with a quill originated in Germany, but proved to be of no practical advantage. Bijuga cither (_i.e._ a cither with a double neck, like the theorbo). Two French specimens, dating from about the middle of the eighteenth century. Bijuga cither, made by Renault in Paris, anno 1779. This handsome species of cither,