Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
It must be borne in mind that these terms were offered to Beethoven at
the period of his life when he had already published his first eight
symphonies and almost all his famous pianoforte sonatas, and other
works, up to Op. 109, and when he therefore was in the zenith of his
reputation in the eyes of the daily increasing number of lovers of music
who were able to understand his genius. In fact, he afterwards received
higher prices; for instance, the publisher Schott, in Mayence, paid him,
in 1825, for the second Mass (D major) 1000 florins; for the ninth
Symphony, 600 florins; for the Quartett Op. 127, fifty ducats; and for
the Quartett Op. 131, eighty ducats. He was still better remunerated, on
a certain occasion, by the publisher Diabelli, in Vienna, who having
composed a Waltz for the pianoforte, wished Beethoven to write six or
seven variations upon it, for which he offered to give him eighty
ducats. Well, Beethoven sat down to compose seven variations. But, the
longer he wrote, the more new ideas occurred to him, and the seven
variations soon increased to ten, then to twenty, then to twenty-five.
When Diabelli learnt that Beethoven had written twenty-five variations
and was still continuing to add to their number, he became rather
alarmed lest the work should grow too voluminous for practical use.
However, he did not succeed in stopping the composer until after the
thirty-third variation. The entire set was published by Diabelli in
1823, under the title '33 Veraenderungen ueber einen Walzer von A.
Diabelli, von Ludwig van Beethoven, Op. 120.'
What must one think of Beethoven's knowledge of money matters when in a
letter to a friend, in which he laments his reduced circumstances, he
asks for advice how he can obtain "money for a bank-note;" while all he
has to do is to cut off from his bond a coupon, and to have it cashed by
the nearest money-changer.[27] Beethoven, owing to his unpractical
habits, required much money, although he lived but frugally. For
instance, it happened that he had to pay rent for three or four
residences at a time, because he had neglected to give warning at the
old residence when he hired a new one. Fortunately for him, some of his
admirers among men of position and wealth interested themselves about
his personal comfort. In an honourable and delicate way they ensured him
an annual income in addition to the gains accruing to him by the sale of
his works. The result was that he actually left some money at his death.
He died (to use an English expression) worth one thousand pounds.
Public-domain text, read in full here on John Shaqi.
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