Musical Myths and Facts, Volume 2 (of 2)Engel, Carl
History
Musical Myths and Facts, Volume 2 (of 2)
Engel, Carl
Music -- History and criticism
"Now, have the kindness to confer with Herr Schubert upon my
communication to you, and decide what is further to be done. As
regards the terms, I beg you to inform me of them, because it is
disagreeable to my feelings to make an offer for an intellectual
production. Most likely there will not be any difficulty about
settling the conditions. The perseverance with which my authors
stick to me, sufficiently shows that they do well with me; this I
can assert of myself to my own praise. Besides, the conditions of a
young artist cannot be so high that they could not easily be
conceded to. I believe that, as you intimate, of a new work by Herr
Schubert, perhaps 300 copies might be sold in Vienna alone. But
then it must be printed in Vienna. I do not think that I should
sell there 100 copies, although I am in connection with all the
music-sellers of that town. You will understand this quite well,
and I need not explain the cause, but you may believe me that it is
so; experience confirms it, and the exceptions are rare indeed.
I remain, with high esteem, etc.,
B. V. PETERS.
Leipzig, November 14th, 1822."
"Should Herr Schubert send me vocal compositions, I should prefer
songs, each with a name, like Beethoven's 'Adelaide,' or others of
the kind. There are so many songs now published that no sufficient
attention is given to them if they have no names."[29]
During the years 1826-28, Schubert had still trouble in getting his
compositions printed. This is evident from the tone of the replies to
his solicitations as well as from the conditions demanded by the
publishers. Probst, in Leipzig, in a letter to Schubert, dated August
26th, 1826, remarks:--"It was, no doubt, an honour to me, which I
appreciate, to make your acquaintance through your letter of the 12th
instant; and thanking you heartily for your confidence in me, I am quite
willing to contribute, as far as lies in my power, to the spread of your
reputation as an artist. I must, however, candidly confess that the
peculiar direction of your intellectual productions, which often shows
genius, but which is also sometimes rather strange, is not yet
sufficiently and generally understood by our public. I, therefore, pray
you to take this kindly into consideration when you send me manuscripts.
A selection of songs, and pianoforte compositions for two or four hands,
which are not difficult, and which are pleasant and easily
comprehensible, would appear to me suitable for attaining your aim and
my wish. When the way has been once opened, anything will do; but, in
the beginning one must in some measure comply with the public taste,"
etc.
Public-domain text, read in full here on John Shaqi.
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