It has, primarily, some of the nakedness, some of the sheerness of contour, toward which the modern men aspire. In the most recent years there has evidenced itself a decided reaction from the vaporous and fluent contours of the musical impressionists, from the style of "Pelleas et Melisande" in particular. Men as disparate as Schoenberg and Magnard and Igor Strawinsky have been seeking, in their own fashion, the one through a sort of mathematical harshness, the second through a Gothic severity, the third through a machine-like regularity, to give their work a new boldness, a new power and incisiveness of design. Something of the same sharpness and sheerness was attained by Berlioz, if not precisely by their means, at least to a degree no less remarkable than theirs. He attained it through the nakedness of his melodic line. The music of the "Requiem" is almost entirely a singularly powerful and characteristic line. It is practically unsupported. Many persons pretend that Berlioz wanted a knowledge of harmony and counterpoint. Certainly his feeling for harmony was a very rudimentary one, in nowise refined beyond that of his predecessors, very simple when compared to that of his contemporaries, Chopin and Schumann. And his attempts at creating counterpoint, judged from the first movement of "Harold in Italy," are clumsy enough. But it is questionable whether this ignorance did not stand him in good stead rather than in bad; and whether, in the end, he did not make himself fairly independent of both these musical elements. For the "Requiem" attains a new sort of musical grandeur from its sharp, heavy, rectangular, rhythmically powerful melodic line. It voices through it a bold, naked, immense language. With Baudelaire, Berlioz could have said, "L'energie c'est le grace supreme." For the beauty of this his masterpiece lies in just the delineating power, the characteristic of this crude, vigorous, unadorned melody. Doubtless to those still baffled by its nudity, his music appears thin. But if it is at all thin, its thinness is that of the steel cable.