My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
Later our brute element was fortified by wafers and a mysterious punch.
I felt sorry for the late-comers who missed the intellectual feed and
arrived just in time for the refreshments. Wafers are not very
sustaining. The punch was a mysterious and subtle concoction with a
tendency to promulgate the tenets of the Swami's new religion. Before we
took our leave I thought the eyes of the new disciples had grown more
languishing and were considerably lit up. It may have been, of course,
that the Swami had taken the lid off a few vats of his cerulean ether
which was too highly rarefied for those present. As we closed the door
and stepped out into the winter night, we instinctively inhaled the cold
air, which, though it may not be full of love, is full of common-sense
ozone.
"When Boston people want to be naughty they go to New York." Our hostess
nodded sententiously across the table as she made the statement.
"Why confine it to Boston? Why not Philadelphia, Washington or ----?"
"Because I don't know anything about those cities, and I do know my home
city," interrupted his wife.
"I guess you're right," Mr. Mollett answered. "It's the same spirit
which keeps alive Le Rat Mort, or Maxim's, or any of those resorts in
Paris. You rarely meet a Parisian at these show-places. If it were not
for the foreigners--principally Americans and English--they'd have to
shut up shop."
"That's precisely my contention. One does things in Paris or New York
one would never think of in Boston."
Will had met Mr. Mollett at a Lambs' Gambol one Sunday night during the
recent season in New York. They had taken a shine to each other, to use
Mr. Mollett's expression, and had exchanged cards. "I liked your husband
from the start," Mr. Mollett once said to me. "He's not a bit like an
actor; he's natural and not a bit of a _poseur_." It appears that when
anyone wants to pay an actor a particularly high compliment he tells him
he is not a bit like an actor! This is not flattering to the rank and
file of players, who labour under the misapprehension that to be
effective they must act on and off the stage.
On the opening night of the following season in Boston Will was pleased
to find a card from Mr. Mollett and a note from his wife, asking whether
I was in town; if so, would I waive the formality of a call and join
them at "beans" on Saturday night after the performance.
Mrs. Mollett's Saturday suppers were as much of an institution as the
beans themselves. Our hostess was a bright, intelligent little woman
without the pretense of the intellectual. Externally, she had all the
ear-marks of a Boston woman. She wore the practical but disfiguring
goloshes of a Boston winter and she carried a reticule. Her dress might
have been made in Paris, but it had a true New England hang to it. It
wasn't a component part of her; it was _a thing apart_. Her skin was
rough and fretted with pin-wrinkles. I never saw a jar of cold cream on
her dressing-table.
Public-domain text, read in full here on John Shaqi.
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