My Double Life: The Memoirs of Sarah BernhardtBernhardt, Sarah
General
My Double Life: The Memoirs of Sarah Bernhardt
Bernhardt, Sarah
Actors -- France -- Biography; Bernhardt, Sarah, 1844-1923
As the examination was to take place a month after this visit, it became
necessary to prepare for it. My mother did not know any theatrical
people. My godfather advised me to learn _Phèdre_, but Mlle. de
Brabender objected, as she thought it a little offensive, and refused to
help me if I chose that. M. Meydieu, our old friend, wanted me to work
at Chimène in _Le Cid_, but first he declared that I clenched my teeth
too much for it. It was quite true that I did not make the _o_ open
enough and did not roll the _r_ sufficiently either. He wrote a little
note-book for me, which I am copying textually, as my poor dear Guérard
religiously kept everything concerning me, and she gave me, later on, a
quantity of papers which are useful now.
The following is our odious friend’s work:
“Every morning instead of _do ... re ... mi ..._ practise _te ...
de ... de ..._ in order to learn to vibrate....
“Before breakfast repeat forty times over,
_Un—très—gros—rat—dans—un—très—gros—trou_, in order to vibrate the
_r_.
“Before dinner repeat forty times: _Combien ces six saucisses-ci?
C’est six sous, ces six saucisses-ci. Six sous ces six saucisses-ci?
Six sous ceux-ci! Six sous ceux-là; six sous ces six saucissons-ci!_
in order to learn not to whizz the _s_.
“At night, when going to bed, repeat twenty times: _Didon dina, dit-
on, du dos d’un dodu dindon._
“And twenty times: _Le plus petit papa, petit pipi, petit popo, petit
pupu._ Open the mouth square for the _d_ and pout for the _p_.”
He gave this piece of work quite seriously to Mlle. de Brabender, who
quite seriously wanted me to practise it. My governess was charming, and
I was very fond of her, but I could not help yelling with laughter when,
after making me go through the _te de de_ exercise, which went fairly
well, and then the _très gros rat_, &c., she started on the _saucisson_
(sausages)! Ah, no. There was a cacophony of hisses in her toothless
mouth, enough to make all the dogs in Paris howl. And when she began
with the _Didon_, accompanied by the _plus petit papa_, I thought my
dear governess was losing her reason. She half closed her eyes, her face
was red, her moustache bristled up, she put on a sententious, hurried
manner; her mouth widened out and looked like the slit in a money-box,
or else it was creased up into a little ring, and she purred and hissed
and chirped and fooled without ceasing. I flung myself exhausted into my
wicker chair, choking with laughter, and great tears poured from my
eyes. I stamped on the floor, flung my arms out right and left until
they were tired, and rocked myself backwards and forwards, pealing with
laughter.
Public-domain text, read in full here on John Shaqi.
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