"I thought it was," answered Annunziata. "I am sorry it is not." And
then she dismissed the subject. "See, it is raining harder. See how the
rain comes down in long strings of beads,--see how it is like a network
of long strings of glass beads falling through the air. When the rain
comes down like that, it means that after the rain stops it will be very
hot. To-morrow it will be very hot."
The bell in the clock-tower tolled out seven solemn strokes; then the
lighter-toned and nimbler-tongued bell of the church began to ring.
"Come," peremptorily said Annunziata, jumping up. "Mass."
She held out her hand, took John's, and, like a mother, led the meek and
unquestioning young man to his duties.
II
Of course there are no such heretical inventions as pews in the parish
church of Sant' Alessina. You sit upon orthodox rush-bottomed chairs,
you kneel upon orthodox bare stones. But at the Epistle side of the
altar, at an elevation of perhaps a yard from the pavement, there is a
recess in the wall, enclosed by a marble balustrade, and hung with faded
red curtains, which looks, I'm afraid, a good deal like a private box at
a theatre, and is in fact the tribune reserved for the masters of the
Castle. (In former days those masters were the Sforzas. So, from this
tribune, the members of that race of iron and blood, of fierceness and
of guile, have assisted at the mystical sacrifice of the Lamb of God!)
Heretofore, during John's residence at the presbytery, the tribune had
stood vacant. To-day it was occupied by Maria Dolores and Frau Brandt.
Maria Dolores, instead of wearing a hat, had adopted the ancient and
beautiful use of draping a long veil of black lace over her dark hair.
John knelt in the middle of the church, in the thick of the ragged,
dirty, unsavoury villagers. When Mass was over, he returned to the
cloisters, and there, face to face, he met the lady of his dreams.
She graciously inclined her head.
"Good morning," she said, smiling, in a voice that seemed to him full of
morning freshness.
"Good morning," he responded, wondering whether she could hear the
tremor of his heart. "Though, in honest truth, it's rather a bad
morning, isn't it?" he submitted, posing his head at an angle, dubious
and reflective, that seemed to raise the question to a level of
philosophic import.
"Oh, with these cloisters, one shouldn't complain," said she, glancing
indicatively round. "One can still be out of doors, and yet not get the
wetting one deserves. And the view is so fine, and these faded old
frescoes are so droll."
"Yes," said he, his wits, for the instant, in a state of suspended
animation. "The view is fine, the frescoes are droll."
She looked as if she were thinking about something.
"Don't you find it," she asked, after a moment, with the slightest
bepuzzled drawing together of her eyebrows, "a trifle unpleasant,
hearing Mass from where you do?"
John looked blank.
"Unpleasant? No. Why?" he asked.
Public-domain text, read in full here on John Shaqi.
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