I will not pretend that I was insensible to the grossness of the poet's time, which I found often enough in the poet's verse, as well as the goodness of his nature, and my father seems to have felt a certain misgiving about it. He repeated to me the librarian's question as to whether he thought he ought to put an unexpurgated edition in the hands of a boy, and his own answer that he did not believe it would hurt me. It was a kind of appeal to me to make the event justify him, and I suppose he had not given me the book without due reflection. Probably he reasoned that with my greed for all manner of literature the bad would become known to me along with the good at any rate, and I had better know that he knew it. The streams of filth flow down through the ages in literature, which sometimes seems little better than an open sewer, and, as I have said, I do not see why the time should not come when the noxious and noisome channels should be stopped; but the base of the mind is bestial, and so far the beast in us has insisted upon having his full say. The worst of lewd literature is that it seems to give a sanction to lewdness in the life, and that inexperience takes this effect for reality: that is the danger and the harm, and I think the fact ought not to be blinked. Compared with the meaner poets the greater are the cleaner, and Chaucer was probably safer than any other English poet of his time, but I am not going to pretend that there are not things in Chaucer which a boy would be the better for not reading; and so far as these words of mine shall be taken for counsel, I am not willing that they should unqualifiedly praise him. The matter is by no means simple; it is not easy to conceive of a means of purifying the literature of the past without weakening it, and even falsifying it, but it is best to own that it is in all respects just what it is, and not to feign it otherwise. I am not ready to say that the harm from it is positive, but you do get smeared with it, and the filthy thought lives with the filthy rhyme in the ear, even when it does not corrupt the heart or make it seem a light thing for the reader's tongue and pen to sin in kind. I loved my Chaucer too well, I hope, not to get some good from the best in him; and my reading of criticism had taught me how and where to look for the best, and to know it when I had found it. Of course I began to copy him. That is, I did not attempt anything like his tales in kind; they must have seemed too hopelessly far away in taste and time, but I studied his verse, and imitated a stanza which I found in some of his things and had not found elsewhere; I rejoiced in the freshness and sweetness of his diction, and though I felt that his structure was obsolete, there was in his wording something homelier and heartier than the imported analogues that had taken the place of the phrases he used.