Dormans. Several kilometers before we got into Dormans little crosses
began to show themselves along the roadside. All through here was heavy
fighting during the battle of the Marne. The first grave we stopped by
bore on its little cross the words, “_Trois Allemands_,” and it was
neatly fenced up with black sticks and wire. We started to climb the
hill, and among the malachite, the beryl, the emerald, the jasper, and
the aquamarine vines were many other graves. Sometimes it would be “_20
Français_,” the red-and-white-and-blue _cocarde_ decorating the cross.
Once it was “_30 Allemands_.” On another was the name “_Lastaud, le 3
septembre, 1914, souvenir d’un ami_.” I thought how friendship has been
glorified in this war.
But mostly it was the continuous gorgeous anonymity of the defenders of
the land that clutched the heart and with them the invaders, pressing
their bayonets and their wills into a land not theirs. I was once
more again before the awful tangle of the world as I looked at these
resting-places. Over beyond the crest of the hill and the forest was
Montmirail. Just a hundred years before, Napoleon had put these names
upon the scrolls of history, and again and then again they had resounded
to marching feet, the terrors of invasion, the heroisms of defense. One
of a group of soldiers passing called out as we stood by one of the
German graves:
“I came through here in 1914.”
“But you still walk the earth,” I answered.
“I got a ball in the hip, all the same, on the top of that hill,” and he
pointed across the road. “_Mais j’ai eu de la chance._” And a look of a
strange and pitiful wonder that he was above the earth, not under it,
flashed for a moment over his young face; then he touched his cap and
went singing down the road with his companions, and I caught the refrain,
“_Ces mots sacrés, ces mots sacrés, gloire et patrie, gloire et patrie_.”
And somehow, after Dormans, we were all quiet. I only remember long,
gray villages, mostly eighteenth century, and many blue soldiers walking
about their broad, central streets, and signs of billetings, “_30 hommes,
2 officiers_,” “_5 hommes, 2 chevaux_,” black-robed women coming out
of little Gothic churches, and children playing, and in between the
villages great avenues of poplar and plane trees. Then we lost the Marne
and picked up the Seine, and passed La Ferté, and Meaux, seen from the
inside, preserved its flavor of “_autres temps, autres mœurs_,” in spite
of the 1917 soldiers billeted there, walking hand in hand with girls who
don’t have a ghost of a chance, in military towns, to get through the war
as they began it.
Public-domain text, read in full here on John Shaqi.
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