I felt a real antipathy towards the Bourbons of the Elder Branch of the family, and it was only when I thought of the dead, of the past and of those living in exile, that I could bring myself to do justice to them later. When the king, the dauphin, the dauphiness and the Duchesse de Berry had arrived, the fête began. M. de Salvandy has related, with regard to this fête, the whole of his conversation with the Duc d'Orléans. It began with these words, which made the political fortune of the author of _Alonzo_:-- "Monseigneur, this is a true Neapolitan fête, for we are dancing upon the edge of a volcano ..." And, indeed, the volcano very soon began to show its fires. They proceeded from the Palais-Royal, the crater of 1789, which people thought had been extinguished thirty-five years before, but which was, in reality, only slumbering. I was there and saw it spring up, and can therefore give an account of the eruption that took place under my own eyes. I had gone out to cool myself on the terrace, and was meditating upon the strange coincidence of fate that made me, even in those days a Republican, almost an enforced witness of a fête given by the Bourbons of France, against whom my father had fought, to those Bourbons of Naples who had poisoned him, when all of a sudden loud cries were heard and bright lights were seen in the gardens of the Palais-Royal. A mass of flame, as though coming from a stack of wood, rose from one of the square lawns among the flower-beds which seemed to spring from the pedestal of the statue of Apollo. And this was what had happened. The numerous spectators of the princely fête that crowded in the Palais-Royal garden were anxious to have their share in the festivities, and, in contempt of the sentinels who guarded the lawns, a dozen young people had scaled the balustrades and, taking each other's hands, had begun a round dance, singing the old revolutionary _Ça ira._ During this time other young people had entertained themselves by piling up a pyramid of chairs and illuminating it by putting in the interstices of the chairs lamps taken from here and there. The leading builder of this tottering edifice and the principal actor in this revolutionary escapade was a young man whose death gave him a certain celebrity. He styled himself a literary man and his name was Alphonse Signol. Three days before, he had brought me a drama, entitled _le Chiffonnier_, and had asked me to read it. It certainly had some merit (we shall see later what became of it), but it was so far removed from my own style of writing of which, consequently, I was master, that it would have been impossible for me to render him any assistance, even in the way of advice. If only Signol had been content with putting the lamps on the chairs, all would have been well; but, instead, he took it into his head to place the chairs on top of the lamps, and all went wrong. The flame from a lamp reached the straw of one of the chairs and the whole pile flared up.