Ten minutes later, the drums beat to arms. The Duc d'Orléans took
the duchesse by the arm and signed to Madame Adélaïde and to the Duc
de Chartres to follow him; he went at such a rate, to meet the royal
visitor, that he lost his wife in the guard-chamber as Æneas had done
three thousand years before on leaving Troy, and as, eighteen years
later, the Duc de Montpensier was to do upon quitting the Tuileries.
The duke reached the great entrance hall of the Palais-Royal just as
Charles X. was stepping out of his carriage and putting his foot on the
first step of the stairs that led up to it. We had rushed after our
illustrious hosts, whom we saw reappear between a hedge of guards two
deep, in the following order:--
King Charles X. walked first with Madame la Duchesse d'Orléans upon
his arm. M. le Dauphin next, giving his arm to Madame Adélaïde. Then
M. le Duc d'Orléans, with Madame la Dauphine; and, last, M. le Duc de
Chartres, giving his arm to Madame la Duchesse de Berry. In front of
them, ready to receive them at the door of the first salon, advanced
the King and Queen of Naples.
It is quite twenty-two years since King Charles X. died in exile;
the men of our generation saw him, but those of thirty, or young men
of about twenty, did not see him and it is for their eyes we pen the
following description. Charles X. was then an old man of seventy-six,
tall and thin, with his head inclined a little on one side, adorned
with beautiful white hair; his eyes were still vivacious and smiling;
he had the Bourbon nose, and a mouth made ugly by the under lip
drooping on his chin; he was most gracious and courteous, faithful and
loyal, true to his friendships and to his vows; he possessed every
kingly attribute except enthusiasm. In manner he possessed a regal
air peculiar to his race. If Article 14 had not been in the Charter,
he would certainly never have dreamt of making a _coup d'état_; for,
to do so, meant breaking his oath, and had he forfeited his promise,
he would, as he himself said, never again have dared to look at the
portrait of François I. or the statue of King John. Furthermore,
desiring absolutism from mere indolence, and tyranny from lack of
activity, he used to say, apropos of tyranny and absolutism--
"You may pound all the princes of the house of Bourbon in the same
mortar without extracting a single grain of despotism out of them!" And
Louis Blanc has drawn him admirably in the lines: "As human as he was
commonplace, if he desired to make his power absolute, it was in order
to relieve himself of violent action; for there was nothing energetic
about him, not even in his fanaticism; nothing really great, not even
about his pride."
In conclusion, the precautions taken on my behalf by the Duc d'Orléans
were unnecessary. The king never even looked at me; although I should
add that I never took the least pains to put myself within range of his
vision.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account