It is too early yet to attempt any estimate of the place which his
writings will ultimately occupy in English literature. So long as honesty,
energy, and variety are held to be the prominent qualities which should
distinguish a genuine writer, there can be no doubt of the vitality of
Douglas Jerrold's reputation. The one objection urged against the works,
which, feeble and ignorant though it was, often went to the heart of
the writer, was the objection of bitterness. Calling to mind many of the
passages in his books in which this bitterness most sharply appears, and
seeing plainly in those passages what the cause was that provoked it, we
venture to speak out our own opinion boldly, and to acknowledge at once,
that we admire this so-called bitterness as one of the great and valuable
qualities of Douglas Jerrold's writings; because we can see for ourselves
that it springs from the uncompromising earnestness and honesty of the
author. In an age when it is becoming unfashionable to have a positive
opinion about anything; when the detestable burlesque element scatters
its profanation with impunity on all beautiful and all serious things;
when much, far too much, of the current literature of the day vibrates
contemptibly between unbelieving banter and unblushing clap-trap, that
element of bitterness in Jerrold's writings--which never stands alone in
them; which is never disassociated from the kind word that goes before,
or the generous thought that comes after--is in our opinion an essentially
wholesome element, breathing that admiration of truth, and that hatred of
falsehood, which is the chiefest and brightest jewel in the crown of any
writer, living or dead.
Public-domain text, read in full here on John Shaqi.
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