My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
In the charming scene herewith depicted, Yalok, the beautiful Klinka
belle, is posing as if she were a mannequin on parade in some
lovely _al fresco fête_, as indeed she is. The background in itself
is interesting, showing, at stage right, the Tarpaulin Tea-House
erected and conducted during the Summer months by Herman Swank, Dr.
Traprock's artistic fellow-voyager. To this picturesque châlet the
Eskimo maidens turned with womanly instinct and its accommodations,
limited to two, were in great demand. Mr. Whinney, when not
entertaining a personal guest, sat outside. But these intimate
details need not detain us.
The principal figure is Yalok who, for the purposes of photography,
has donned the very latest 1922 Spring-model sports-suit. She wears,
it will be noted, "a woman's crowning glory"--her own hair. The other
glories are supplied by the hair of various animals indigenous to the
Arctic.
Reading from North to South this snappy get-up consists of the otary
over-smock or slip-in with sliding sleeves of unborn-seal, the
roomy "roamers" of polar bearskin and the pliant _chassures_. The
sleeves, another loose seal effect, modestly cover the entire arm
or arms and flare back vehemently from the gauntlets, which may be
eider-down or up. The roamers, again, cut loose from conventional
lines and melt suavely into the retroussée wading slippers. The last
mentioned articles are fashioned from the pelt of the Amok, which
usefully grows hair on both sides of its hide. The fore-and-aft apron
or windshield is nattily edged with ermine and at the back runs
smartly into a train. A last-minute accessory is the fly-swatter, Dr.
Traprock's gift to the lady, which is held at the correct angle of
45°.
More important, however, than mere costume is the art of wearing it,
an art in which this lovely model is evidently entirely at home.
Her position is that demanded of a debutante in the most exclusive
Eskimo society, when she is presented to a distinguished foreigner,
the head modestly bowed, the eyes downcast, the arms in an alluring
come-and-get-me position and the feet gracefully parted in the middle.
A final touch of chic unreproduceable by photography but which has
all the allure of a truly Parisian _pomboire_, is the perfume (Eau de
Musk-ox) which adds its ineffable odor to this arctic rose, a hovery
halo, and exquisite ectoplasm.
[Illustration: A Far-off Fashion Plate]
A few moments later I rose with a start. Something in the air chilled
me with horror. Glancing toward the horizon I gasped, then quickly
caught myself.
The sun was half hidden below the horizon! The light was distinctly dim!
I thought no one had noticed my involuntary start, but Makuik, though
seemingly absorbed in his monkey, leaned toward me and whispered,
"Night come."
Public-domain text, read in full here on John Shaqi.
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