My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and HonorSheldon, Lurana
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My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and Honor
Sheldon, Lurana
Dime novels -- Periodicals; Popular literature -- Periodicals; Young women -- Periodicals
The magnificent toned piano absorbed her whole soul, and she was soon
almost unconscious of time or surroundings.
After playing the song over two or three times, the young man motioned
for her to sing it.
She did so, and with such an intelligence of expression and such a
ready ear that both the manager and the composer were highly delighted.
Marion rehearsed the piece several times in the next four days, first
with the piano accompaniment and then with a full orchestra.
The afternoon before the concert she rehearsed for the last time, and
as she hurried home to Dollie, she was flushed with excitement.
“I don’t quite understand about the concert,” she said, anxiously. “It
is to be in the big hall that Mr. Vondergrift owns, and there’s another
hall called ‘The Olio’ right across the street that is also to be
opened with a concert this evening. There are a dozen or more people to
sing, or do something at Mr. Vondergrift’s concert, for, of course, he
wishes his to be the most attractive.”
“What kind of people are they?” asked Dollie, who was sitting at her
typewriter. She was so much better now that she could practice daily.
“That is what I can’t understand,” said Marion slowly. “They can all
sing fairly well, and some of them are quite pretty, but some way they
seem to me to be very rude—I might almost say, vulgar.”
“What a pity you should have to mix with them,” said Dollie.
“Oh, I don’t!” was Marion’s quick answer. “Mr. Vondergrift has managed
that! Why, he lets me wait my turn in a little room all by myself, and
to-day he brought me a delicious little luncheon!”
“How lovely of him!” said Dollie, going on with her work.
Not once did it seem to either of these simple girls that Mr.
Vondergrift’s attentions meant anything more than kindness.
“See here, Dollie!” cried Marion, with a jolly laugh, “they’ve actually
advertised that I am to sing to-night, only they’ve given me a queer
Italian name. I suppose they are trying to make out that I am some
great singer.”
Dollie looked at the programme that Marion held out to her.
“Signorita Ila de Pailoa,” she read, in an amused voice. “What a
terrible name! And what a lot of deceit! Why in the world couldn’t he
have called you just plain Marion Marlowe?”
“Oh, that wouldn’t do at all! He explained it to me,” said Marion, a
little dubiously. “The public insist upon having foreigners, so he is
obliged to fool them. And, besides, Dollie, my name would not suit for
another reason—I’m only a country girl, who has had her name in all the
papers.”
“You have, indeed, but it was always as a heroine!” said Dollie,
proudly. “First they told all about your rescuing me, and then the way
they spoke of you at the fire was simply delightful!”
“Well, I’ve had quite enough of it,” said Marion, decidedly. “I shall
be glad to be able to stay in the background in future.”
Public-domain text, read in full here on John Shaqi.
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