My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and HonorSheldon, Lurana
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My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and Honor
Sheldon, Lurana
Dime novels -- Periodicals; Popular literature -- Periodicals; Young women -- Periodicals
“I wish I could be there to hear you sing,” said Dollie, plaintively,
“but I don’t feel very strong yet, and, besides, Mrs. Haley is coming
this evening, you know, and I shall surprise her when I tell her that
you are singing in a concert.”
“I hope I have done right in keeping it from her,” said Marion, slowly.
“Some way, I was afraid she would not approve of my singing in public.”
“If she only knew your motive!” sighed Dollie, plaintively.
“She must never know,” was Marion’s decided answer.
“See here, Dollie, what I am to wear,” said Marion later, as she was
opening a bundle. “They have loaned me a dress, because mine is not
suitable, and I had to bring it home to see if it needed to be altered.”
She took out a pretty silk dress that just suited her complexion, but
both girls were horrified to find that it was very low in the neck, and
had no sleeves whatever.
“I don’t mind about the sleeves so much,” said Marion, blushing, “but
I’ll never wear a low neck like that, never!”
“Here’s a big piece of lace,” said Dollie, pulling it out of the
package. “I expect it is intended for a veil or a mantle, but you can
just drape it around your neck and shoulders, and you’ll be as pretty
as a picture.”
Marion dressed in the little room that Mr. Vondergrift had set aside
for her, and almost before she was ready her employer came to find her.
“What’s that stuff around your neck?” was his first words of greeting.
Marion blushed to the roots of her hair as she answered:
“The neck was too low, Mr. Vondergrift,” she said, simply. “It was
fortunate I had the lace, so that I was able to fix it.”
“You are a goose,” said the man, with a frown of displeasure, and just
at that moment one of the other singers came to look for him.
Marion took one look at her and almost gasped, for the woman’s dress
was cut so low in the neck and so short in the skirt that to Marion’s
mind she might almost as well have been naked. There was no mistaking
her expression of horror, and Mr. Vondergrift, like a wise man,
decided to say no more about her appearance.
“She’ll come to it after a little,” he said to Marcus Rosen, when he
left her. “If I had insisted to-night, she would have ‘kicked over the
traces,’ and, anyway, it will be a novelty. I hope it catches.”
When Marion’s turn came, she was fairly trembling. Never before in her
life had she felt so embarrassed. Only the thought of Dollie and Ralph
Moore gave her courage to go on. It was imperative that she should earn
that one hundred dollars.
There was a blaze of light as Marion reached the stage, then a blare
from the orchestra that sounded strangely confusing.
She had never seen the big hall lighted before, and the row of lights
at the front of the stage dazzled her eyes for a minute so that she
could hardly open them.
Almost as if in a dream she heard Mr. Vondergrift’s voice whispering to
her to hurry, and she advanced toward the centre of the stage and tried
to collect her scattered senses.
Public-domain text, read in full here on John Shaqi.
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