My Shipmate Louise: The Romance of a Wreck, Volume 1 (of 3)Russell, William Clark
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My Shipmate Louise: The Romance of a Wreck, Volume 1 (of 3)
Russell, William Clark
Sea stories; Shipwrecks -- Fiction
There was at least a score of hammocks hung up under the ceiling or
upper deck, with here and there the faces of mariners showing over
them, or perhaps the half of a stockinged leg, and nothing else of
the man inside but _that_ to be seen. There was also a double tier
of bunks, which wound round from the after bulkhead into the gloom
forward, that seemed the darker, somehow, for the loom of the immense
heel of the bowsprit that came piercing through the knightheads. It
was a rough, wild scene to survey by that light; a blending into a
sort of muddle, as it were, of hammocks and sea-chests and stanchions
and dangling oil-skins and sea-boots and canvas bags, and divers other
odds and ends of the marine equipment. There were figures seated on the
boxes, stolidly smoking, or stitching at their clothes; grim, silent,
unshaven salts, stealing out upon the eye in that strange commingling
of dull light and dim shadow, in proportions so grotesque and even
startling that they hardly needed to vanish on a sudden to persuade one
they were creatures of another universe. Many creaking and straining
noises threaded the hush in this gloomy timber cavern. The motion of
the ship, too, was much more defined here than it was aft, and you felt
the deck rising and falling under your feet as though you were on a
see-saw with a frequent small thunder of cleft sea breaking in.
The doctor made his way to a bunk on the port side, almost abreast of
the scuttle, where the light came sifting through the gloom with power
enough to define shape, and even colour. In this bunk lay a motionless
figure under a blanket, and a small square of canvas over his head. The
bunks in the immediate neighbourhood were empty, and the fellows who
swung in hammocks a little distance away peered dumbly at us, with eyes
which gleamed like discs of polished steel amid the hair on their faces.
Dr. Hemmeridge pulled the bit of sail-cloth from the face of the body,
and there lay before me the most hideous mask that could enter the mind
of any man, saving the master who drew Caliban, to figure. Nothing
showed of the eyes through the contracted lids but the whites. There
was a drop in the under-jaw that had twisted the creature’s hare-lip
into the distortion of a shocking grin.
I took one look and recoiled, and, as I did so, a fellow who had been
watching us at the forecastle door approached and said respectfully:
‘There ain’t no doubt of his being stone-dead, sir, I suppose?’
Hemmeridge turned from the body. There was an odd look of loathing and
puzzlement in his face.
‘Oh yes, man, quite dead,’ he answered. ‘An amazing corpse, don’t you
think, Mr. Dugdale? Good enough to preserve in spirits as a show for
the museum of a hospital.’
‘I hope,’ exclaimed a deep voice from a hammock that swung near, ‘if so
be that that there Crabb’s dead and gone, he ain’t going to be let lie
to p’ison the parfumed hatmosphere of this here drawing-room.’
Public-domain text, read in full here on John Shaqi.
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