All these beliefs and practices inspire the Zuñi epic, which is repeated, at stated intervals, by the initiated to the neophytes. Mr. Cushing heard a good deal of this archaic poem in his sacred capacity. The epic contains a Zuñi cosmogony. Men, as in so many other myths, originally lived in the dark places of earth in four caverns. Like the children of Uranus and Gæa, they murmured at the darkness. The "holder of the paths of life," the sun, now made two beings out of his own substance; they fell to the earth, armed with rainbow and lightning, a shield and a magical flint knife. The new-comers cut the earth with a flint-knife, as Qat cut the palpable dark with a blade of red obsidian in Melanesia. Men were then lifted through the hole on the shield, and began their existence in the sunlight, passing gradually through the four caverns. Men emerged on a globe still very wet; for, as in the Iroquois and other myths, there had been a time when "water was the world ". The two benefactors dried the earth and changed the monstrous beasts into stones. It is clear that this myth accounts at once for the fossil creatures found in the rocks and for the merely accidental resemblance to animals of stones now employed as fetishes.* In the stones is believed to survive the "medicine" or magic, the spiritual force of the animals of old. * Report, etc, p. 15. The Zuñis have a culture-hero as usual, Po'shai-an-k'ia, who founded the mysteries, as Demeter did in Greece, and established the sacred orders. He appeared in human form, taught men agriculture, ritual, and then departed. He is still attentive to prayer. He divided the world into regions, and gave the animals their homes and functions, much as Heitsi Eibib did in Namaqualand. These animals carry out the designs of the culture-hero, and punish initiated Zuñis who are careless of their religious duties and ritual. The myths of the sacred beasts are long and dismal, chiefly aetiological, or attempts to account by a fictitious narrative for the distribution and habits of the various creatures. Zuñi prayers are mainly for success in the chase; they are directed to the divine beasts, and are reinforced by magical ceremonies. Yet a prayer for sport may end with such a truly religious petition as this: "Grant me thy light; give me and my children a good trail across life ". Again we read: "This day, my fathers, ye animal gods, although this country be filled with enemies, render me precious.... Oh, give ye shelter of my heart from them!" Yet in religious hymns the Zuñis celebrate Ahonawilona, "the Maker and Container of All, the All Father," the uncreated, the unbegotten, who "thought himself out into space". Here is monotheism among fetishists.* * Cushing, _Report, Ethnol. Bureau_, 1891-92, p. 379.