But were animals, impelled by natural instincts only and exclusively
occupied with the desire to satisfy their coarse wants, were such
animals worthy to be the sole owners of such a charming abode?
It occurred to him to invent a being which, without participating in the
divine essence, might still rise high above all other creatures. This
time the divine artist wanted a spectator, to witness his work, to
appreciate it intelligently, and afterwards to profit by it for some
good purpose.
He was meditating on it during a walk on the sea-shore, when a piece of
wood, a fragment of a huge branch of a tree which the wind had broken
off, attracted his attention. It had evidently fallen into a river,
which had carried it out into the high sea, and there it had been beaten
and bruised by {135}ebb and tide. He drew this poor shapeless stick of
wood towards him, split it in two and made out of it a man and a woman.
“Do you hear? Do you understand?” Asks the Edda, at this point.
Now, what is this intended to convey to us? That man, exposed to the
caprices of the elements, is nothing but a poor plaything in the hands
of Fate? Very well, let us admit this explanation. But can the sacred
book of the Scandinavians really presume to teach us that the origin of
mankind must be looked for in two sticks of wood? We cannot but think
that that would be a sorry jest, alike unworthy of the general solemnity
of the Edda and of the mysterious majesty of ancient cosmogonies.
Besides, we ought not to forget that all the Northern nations attributed
a divine character to trees; if in Germany the oak was held sacred, the
hyperboreans held the ash tree in great respect, and the question is
only whether our first father was made of the wood of an ash tree, an
oak, or a willow.
This leads us naturally to the consideration of the ash _Ygdrasil_ and
its curious population of gods, birds, and quadrupeds.
The branches of this marvelous tree spread over the whole surface of the
earth; its top supported {136}the Walhalla and rose is to the uppermost
heavens, while its roots penetrated to the very bottom of hell. Under
its shadow dwell Odin and his Ases, when the government of the world
requires his presence, or some important question has to be decided.
[Illustration: 156]
Two swift winged ravens are incessantly flying to and fro in the
Universe, to see what is going on; then they come and perch, one on his
left and one on his right shoulder, and whisper into his ear the news
of the day. A squirrel, as swift in its movements as the two ravens,
is perpetually running up and down the tree. If you doubt my word, hear
what the poet says:--
Public-domain text, read in full here on John Shaqi.
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