Nature's year : $b The seasons of Cape CodHay, John
History
Nature's year : $b The seasons of Cape Cod
Hay, John
Natural history -- Massachusetts -- Cape Cod; Natural history -- Outdoor books
After the storm a hard cold sets in for many days. As a rule our
Decembers are comparatively mild, with the days alternating between
light rain and cool sunshine. Now the very great plunges of the cold,
driving the frost deep into the ground, freezing the pond waters,
starting a rim of pack ice around Cape Cod Bay, comes as a surprise,
something not known before. The weather bureau, explaining the cold
as being the result of a vast Canadian high-pressure system, speaks
of its unusual “fetch and intensity.” Ten degrees above zero is not
severe as compared with conditions in other parts of the world, but
this unseasonal extreme is a local reminder of the earth’s potential,
and just how much we depend on the normal rhythms of the year. We gasp
with cold, turn up the heat, and think that cataclysm is a small thing
to the universe.
The cold around us creates a different earth. It demands a readjustment
of the senses, as though it were ready with amazing new suggestions.
One sharply cold morning when snow lies fresh on the ground I stop by
the cemetery where the Blacks are buried, on my way to town. There
is something about this day that asks attention. It sings. Pure
crystalline masses creak underfoot. The tune of the cold finds an edge
on my bones. Pines, stiff cedars, locust trees, hard ground and stone,
all share in resonance, being forged and tempered by the cold. The
little graveyard hill is a tympanum, or sounding board, very highly
pitched, so powerfully taut, being plucked very lightly by the air with
sharp whispers and twanging sounds being sent across the snow, that it
might be ready to send one chord, incomparably new, into the whole sky.
I start to go away, but a tiny, almost casual trill separates itself
from the vibrations of the cold. I keep listening and in a few seconds
see a bird rounding the branch of a cedar tree, not twenty feet
away. Working in and out of the branches, coming in to view and then
disappearing again, is a flock of purple finches, eating cedar berries.
The males are washed with a raspberry color that keeps appearing
through the dark green masses of the tree like intermittent lights,
hints of fruitfulness in the winter’s containment.
Suddenly, surprisingly, a light brown, speckled veery appears on the
open branch of a locust. This summer bird, out in the glittering cold,
seems to have a startled, wildly timid look in its eyes. Its slim body
hesitates, with the problem of aloneness perhaps, or direction, or food
in this white earth that has cut so cruelly into its subsistence. Then
it flies off into a wood of pitch pines, and I hear a low sound, the
mere snatch of a thrush’s warbling.
Just by stopping for ten minutes instead of hurrying on, I have been
put into a new relation with the morning, and have seen a singularity
and sacredness to all its parts. It could happen in Moscow or New York.
Public-domain text, read in full here on John Shaqi.
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