Nature's year : $b The seasons of Cape CodHay, John
History
Nature's year : $b The seasons of Cape Cod
Hay, John
Natural history -- Massachusetts -- Cape Cod; Natural history -- Outdoor books
On this kind of day I am an inland lover. To be wind-cut and
sandblasted serves no good human end. As if in general proof of that,
I meet no more than a car or two on the highway, and see no one on the
streets of the town. The shore is desolate, hissing with driven sand.
On the surface the bay waters in the distance are being stiff-armed
and flung away. New ice, morose and slow, is nudged by an outgoing
tide in the inlet at Paine’s Creek. Gulls drift slowly upwind like
clouds. And on the wide tidal flats--the searing, biting, turbulent
grounds--groups of Canada geese are stalking through shallow purple
waters that reach, wind-scudded, over shoals of peat. Then a new
group wheels in low and settles down with the rest. I can hear their
honking under the sound of wind and sand. Beyond them, in steely waters
speckled green, is a small flock of black ducks.
This is no inanimate landscape. Under the given power, the
abandon of the wind, the restrictiveness of the cold, is still an
all-containing balance. I listen to those famous travelers the geese
as they communicate and am taken a little further out on violent and
unreceptive grounds, past my own shivering.
Inland again, listening, taking shelter in the lee of the wind, just
as a rabbit jumps away from me and runs under a tangle of bull briar,
I am conscious of all the unseen hiding and endurance around me. What
else moves here, beside the wind that suddenly rushes in and roars so
loud that it makes the trees groan and the large round clouds hurry
on? The trees, swaying and creaking, are the most obvious, the most
exposed. They are half dead, rigid, hard, inert. The sap coagulates
in the extreme cold. I cut a twig with my knife and the pitch is dark
and frozen. The trees in their containment, adapted to less water and
light, getting scarcely any nutriment, are able to make their stand in
the open while other lives must hide.
In the late afternoon the ground stirs harshly. Leaves run in dead
abandon. The wind seems to sound a burst of doom, and then seethes in
lively rage. A dead limb cracks. I am on the trigger edge of ultimate
need. Blue-gray clouds hang over the shaking fingers of the trees.
There is a collective power that flays us all, without discrimination.
The shadows have left the earth. Light stays in the sky, and then
begins to go. There are rims of pale electric light in the west. Long
cloud shoals, now white and pearly gray, stand against wide bands of
blue and mauve and pink, like the baked desert cliffs of the Southwest.
Finally, and I feel all finality, as the ringing air sheds down
enormous heavy cold, received numbly by the earth, the sky turns a
startling gemlike blue. We are turned into night. The sky’s mineral
beauty shifts to pure blackness lighted by the stars. There is an
almost shrilling intensity in the air above the earth-binding wind, and
I am conscious of nothing but height, height beyond reach.
_Ice on the Ponds_
Public-domain text, read in full here on John Shaqi.
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