_The Death of Nelson_, better known as _’Twas in Trafalgar’s Bay_, is from John Braham’s opera entitled _The Americans_, which was produced at the Lyceum on April 27, 1811. In Bell and Daldy’s _Sea Songs and Ballads_, 1863 (p. 263), the words are attributed to Samuel James Arnold. There is another _Death of Nelson_--a rough and ungrammatical popular ballad--which seems to deserve reprinting in spite of its defects, as a testimony to popular feeling in England (p. 302). Sir Richard Strachan’s victory on November 4, 1805 (Clowes, v. 171), is the next important event celebrated, and it is treated as completing Nelson’s work (p. 304). Clowes describes it as ‘a creditable pendant to Trafalgar’ (_The Royal Navy_, v. 174). Cochrane’s attempt to destroy the French fleet in the Basque Roads in April 1810 was also made the subject of a song. ‘Cochrane undaunted’ has his due praise; Gambier is not mentioned either for good or evil. The rest of the incidents recorded are cutting out affairs or frigate fights. Yeo’s exploits on the coast of Spain in 1805, and the capture of the Thetis by the Amethyst in November 1808, were both held worthy of recognition in verse (pp. 300, 305; cf. Clowes, v. 362, 427). In June 1812 the field of the war was widened by President Madison’s declaration of war against England. This provides us with some ballads which give the point of view of England’s opponents, and advantageously supplement the productions of our own soil. A ballad beginning ‘Ye Parliament of England’ states the case of the United States against Great Britain, and summarises the naval history of the war for American hearers (p. 308). ‘It was still,’ says an American, ‘a favourite song in many parts of the country as late as 1859, and it is valuable as a reflection of the spirit in which the war of 1812-14 was regarded by those who fought in it’ (G. C. Eggleston, _American War Ballads_, 1889, i. 131). The capture of the Guerrière by the Constitution on August 19, 1812, was the subject of an American song subsequently reprinted as a broadside in London (p. 309). The capture of the Chesapeake by the Shannon in June 1, 1813, was the subject of three English ballads, two of which are here reprinted (p. 311). The metre of the best known is the same as that of the song on the Constitution and Guerrière, and one was evidently intended as an answer to the other, though it appears uncertain which was published first. The last of the series narrates the capture of the President on January 15, 1815, and is called _The Endymion’s Triumph_. It just mentions the existence of the rest of the squadron, but does not attribute any part in the result of the fight to the Pomone or the Tenedos (p. 313).